Posts Tagged ‘book marketing’

Why Do You Pick Up a Book in the First Place?

May 30, 2017


If you’re like most people, you pick up a book because the cover or title looks interesting. The next thing you do is read the back blurb, or if you’re online, the excerpt.

What is it? Or, better yet, what should it be?

Basically, the back blurb is a sales pitch. There are a lot of tools in the publishing tool belt, and each has its own unique purpose and strength. Few, though, have more sway over a would-be reader than the book description.

It should be the summation of your story, enticing the reader to buy.

How do you write good back blurb?
The principles hold true for any genre, although the details may change a bit for each. This is a list of things featured most often from a number of bestsellers …

A hint of the plot.

Use of words that evoke images and resonate with readers.

Main characters are named and characterized.

Idea of setting.

A question to be answered, or a hint of mystery to be solved that draws the reader in.

Quotes about the book or previous books by the author.

TAKE THE READER ON A JOURNEY
Most good book descriptions have less to do with the story of the book, and more to do with the story of the reader. Tell the reader about the journey they’re going to take, rather than try to create a shorthand or synopsis of your book.

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Take the back cover blurb for my newest novel, DEAD END STREET, coming out on Amazon this week:

 

 

 

 

 

 

THE TIME TO BE MOST AFRAID
IS WHEN THINGS START GOING WELL.

Paul Barrett is a successful author. So are Randy and Donnie Camron. Along with the rest of the gang from Reichold Street, they all think their lives have finally settled down. In this provocative thriller, however, they learn there are new disasters waiting, determined to find them, wherever they go.

REICHOLD STREET, the lead novel in the series, was selected a 2012 Readers’ Favorite Gold Medal Winner.
“Skillfully written and emotionally charged.”
~ Kirkus Reviews for “Reichold Street”

ONE WAY STREET and STREET LIGHT, the second and third books in the series, were also reviewed as intense, 5-Star thrillers…

“A mesmerizing thriller that can haunt you long after you put the book down…”
~ Maria Beltran, of Readers’ Favorite, for “One Way Street”

“R.L. Herron is a master craftsman…grabbing the reader and transporting them into the story…”
~ Brian MacLearn, award-winning author, for “Street Light”

In DEAD END STREET, the characters already know very well that life is not perfect, but discover the past is not always as far behind them as they think.

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DON’T IGNORE IT
You may call it a ‘blurb’ or ‘back cover copy’ or lament it simply as ‘all that text I have to paste into my book page.’

Whatever your name for it, you can’t afford to ignore it. After your cover, the product description of your book is the first experience the reader has with you as an author.

The book blurb is one of your most important communication aids when promoting your book, so invest plenty of time and dedication to ensure you get it right.

Getting it right is the proverbial ‘big deal.’

Do you think I succeeded?

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My books have all garnered some terrific reviews and you can see the ones I have available by using the Amazon link below. Look for them. Better yet, buy one and read it. You just might like it.

buy now amazon

You’re invited to visit my web site, BROKEN GLASS, or
like my Book of Face page. You can find me on Goodreads, or follow some of my shorter ramblings on The Twitter.

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Visit my web site to hear the remarkable radio interview about my novel “Blood Lake” by The Authors Show.

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I plan to attend the next Rochester Writers’ Fall Conference at Oakland University on Saturday, October 21, 2017.

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Comments posted below will be read, greatly appreciated and perhaps even answered.

What’s a Writers’ Platform Again?

March 18, 2017

Photo by Christian Betrand, courtesy Shutterstock

About ten years ago, the publishing industry starting tossing out the word “platform” like confetti during a rock concert. Major publishers started expecting authors to have an existing platform, because they were far easier to promote.

Soon everyone, including indie authors, used the new “platform” buzz word, but few really understood what it was or why they needed it.

Cycle forward ten years. Everything has changed. Not only do we live in a world where anyone can publish, but in order to gain any kind of attention for your book, you must have one.

A platform, that is (there’s that word again).

So, what does it really take to build one? Surprisingly, not much, but sometimes it’s easier to understand what it isn’t.

Having “no platform” means you have very little presence in any existing social media, do little or no blogging and, in some cases, have no web site.

Feel like you belong to this crowd? You’re in good company.

Many new authors, not just those who are indies, are like this. Their lack of understanding often brings inaction or, in some cases, the wrong action.

Who Knows You?
In essence, a platform is not who you know, but who knows you. Simple, right? A platform is really the series of actions that put you in front of your reader.

Apparently, what you really need to do is run ads.

Good luck.

I can’t comment on the effectiveness of ads without knowing your particular market and your budget but, regardless of genre, if you have the kind of budget it actually takes, you don’t need the rest of this article.

However, if your budgets are more like mine (read almost non-existent) you’ll understand why I favor earned media. As I’ve mentioned before, earned media is organic … it’s when a reader finds your content naturally, instead of having it pushed on them in the form of an ad.

(Check out the “earned media” tags at the end of the post to find more about it).

Social Media
Organic discovery could come from a blog post you wrote, or something in your social media platform (there’s that word again).

Now, to do it right, social media requires work … but most authors misunderstand what I mean by “work.”

It doesn’t mean you need to participate on every social media site in existence. Quite the contrary, it means you need to find the ones that best serve your market … and use them consistently.

And by consistently, I don’t mean incessantly.

Don’t overdo it. Post in the specific places you choose and move on.

Social media doesn’t require the kind of time you might think. While I do have a limited presence on Linked-In, Pinterest, Goodreads and Instagram, I basically use The Twitter and The Book of Face.

I post every day or two in those areas, but I’m not one of the social media trolls who hangs around all day commenting on anything and everything. Trust me, more isn’t necessarily better, it’s just more. Being productive and busy aren’t the same things.

Blogging
Here’s another, often misunderstood marketing tool. Blogging can be the single best way to grow your platform.

Why?

It’s your voice and your expertise on your site. Do you need to blog daily? No. Want proof? Look at my blog following. I only blog about twice a month.

But I try to make it content that’s helpful.

The problem with trying to throw out content just for the sake of pushing volume is simple … most of it is garbage.

People are writing lots of stuff but, sadly, much of it isn’t worth your time. I’ve unfollowed blogs who seem to think posting twelve times a day is the right output … regardless of what they have to say.

Don’t be one of those people.

When it comes to blogging, less can be more. If you’re writing something that’s incredibly helpful, insightful, or engaging but feel you can only do that twice a month, that’s just fine. Frankly, I’d rather look forward to one thing that totally inspires me, instead of ten things that bore me to tears.

For fiction authors, you can write in character if you want, discuss some unique ways to do book research or talk about the publishing industry, because so many of your readers may be writers, too.

Events
Speaking is a fantastic way to draw in an audience, but bookstore venues are shrinking. I spoke a couple of years ago at a local writers’ conference, but if you aren’t on the speaking circuit and don’t know places where you can do events or talks, keep your eyes open for special book events.

I participated in several book-signings last year, including one at a well-known local design store last fall and one at my local public library … I did so well at the design store (for both of us) I’ve been invited to sign books April 30 of this year at the same place.

Website
Everyone who writes a book needs a website. Period, end of story. If you think your book will sell well without one, you’re mistaken.

Your website doesn’t have to be mega-fantastic, but it should be easy to navigate and the best ones will have a mailing list sign-up (mine is in the works).

You may have a million reasons why you don’t want one (most of them I’ve used myself), but I’ll give you one major reason why you should: Platform (I bet you saw that coming, didn’t you?)

How will you get your reader to remember you?

I never do a signing without bringing a mailing-list sign-up sheet and encouraging folks to give me their email address. I don’t have to hard-sell to get it. I offer them something as an incentive. I give one lucky winner, chosen at random, one of my signed books free to encourage getting their email address.

When you capture emails with your website and/or blog, you are making those sites work for you. They become your 24/7 sales and re-marketing tool.

My free newsletter (which I’ve been developing for years, and actually tested once or twice) goes live in May. If everything works the way I hope it will, it could become one of my best ways to market. I can get in front of my readers every few weeks with helpful information … and hopefully they’ll remember me long enough to buy my books.

Reader engagement is crucial. Now, more than ever, you must learn to engage your reader. You can do that via your blog, on social media sites, in places like Library Thing and Goodreads … and with your mailing list.

In other words, developing your platform is a fancy way of saying: “Get in front of your reader as often as you can.” Figure out how to reach them, and you’ve figured out how to build your platform.

In an age where everyone can publish (and it sometimes seems everyone is) the thing that will define you, and separate your message from the noise, will be your platform.

Without it, yours may be the best book that no one has ever read.

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My books have all garnered some terrific reviews and you can see the ones I have available by using the Amazon link below. Look for them. Better yet, buy one and read it. You just might like it.

buy now amazon

You’re invited to visit my web site, BROKEN GLASS, or
like my Book of Face page. You can find me on Goodreads, or follow
some of my shorter ramblings on The Twitter.
 

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Visit my web site to hear the remarkable interview about my novel “Blood Lake” by The Authors Show. By the way, “Blood Lake” was just selected as a 2016 Indie Book of the Year Finalist!

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My next blog post will outline the 5 ESSENTIAL steps to building your author platform.

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Comments posted below will be read, greatly appreciated and perhaps even answered.


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