Posts Tagged ‘award-winning author’

Writing Your Own Life Story

April 14, 2019

Photo Courtesy of Pexels

I believe the wisdom and power to create real change lives not only in the experiences of leaders and community builders … but in the things that happen to everyday people all over the world. Each one of us has a story born from our life experience.

We often forget, by offering up our stories we can help others understand their own. We build a structure with our truth so other people can shelter there. In this way, a memoir is not self-indulgent but a road map for the human experience.

Your story also deserves to be told but, unless you’re someone really famous, it’s probably your own responsibility to tell it. Are you ready to share your life story with the world?

Develop a Concept
A memoir captures a period of time or a set of events in your life, rather than cataloging your experience from cradle to grave (that’s an autobiography or biography).

In order to appeal to an audience beyond your friends and family, you must bridge the gap between your life and that of your reader.

Most aspiring authors feel overwhelmed before they even begin. Below are some tips to help you on your way to sharing your story.

You need a solid concept that invites the reader’s concerns into the experience. To get them reading, it has to be more than something saying, “Let me tell you all about wonderful me.”

Consider the elements of your story that are universal and find ways to write them so your reader can imagine their own life through the lens of your circumstances.

Make It Memorable
You can make your nonfiction book as memorable as its fictional counterparts by using sensory language. By that, I mean language that conveys how you felt, what you saw, heard, smelled, and tasted during the scenes you present.

Before you write a pivotal scene, take yourself back to the place, time, and emotion of the moment. Once you’ve transported yourself back to that moment, write your scene.

When you’ve gotten it down on the page, go back and look for ways to vary your language to make it richer and more interesting.

Break out your thesaurus if that helps!

Include Details
Writing in detail takes time to develop, but not as much as you might think. It has helped me in my own writing. View the world in small sections. That limited focus can help you really hone-in on detail.

Construct your book scene-by-scene, moment-by-moment. See the minutiae … the crack etched in the sidewalk cement, the one green pea that rolled under the table, the rim of grease under the thumbnail of your father as he cuts the Thanksgiving turkey. When you add detail to your writing, you are painting with words, and you can use all the colors!

Details like that make the difference, so show them to your readers!

Your Story is Exceptional
You’ve lived through, learned, discovered, or developed something, and you’re still busy living your life. You’re out accomplishing things. What better time is there to write a book about your own life story than now? Don’t keep it to yourself!

Believe it or not, someone out there may need your message. When you share what you know and what you’ve learned, you may become part of the solution for someone.

You may not think of yourself as a writer, but you can do anything you want to do. What do you have to lose? When will there ever be a better moment than now? You don’t need to learn the publishing industry or take writing classes to write your book. You simply need to get your message out into the world.

Writing a book about yourself is definitely a big hurdle, perhaps comparable to running a marathon. But, just like that epic race, once you do it, you may look back and want to do it again.

What are you waiting for?

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I’ll be joining other authors signing books at Detroit Festival of Books at Eastern Market on July 21 and at SterlingFest in Sterling Heights, Michigan on July 27.

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Gentle Readers, my books have all garnered some terrific reviews. You can see all of them by using the Amazon link below. Check them out. Better yet, buy one and read it. You just might like it.

buy now;

**********

You’re invited to visit my author’s website, BROKEN GLASS to hear the remarkable radio interview about my novel “Blood Lake” on The Authors Show. You can also like my Book of Face page, find me on Goodreads, or follow my shorter ramblings on The Twitter.

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Comments posted below will be read, greatly appreciated and perhaps even answered.

What’s Your Writing Voice?

April 1, 2019


I spent all day last Saturday at Michael Dwyer’s Rochester Writers’ Conference … the best one-day writing conference in the state (at least, to me it is). I’ve been to almost all of them … going back years.

It was another day well spent (and it kept me out of the rain).

Saw some good presentations, listened to some good speakers, made new friends and saw several old ones.

Reflecting on it, I realized one of the telling comments of the day actually came from people not associated with the presentations.

In one of our table discussions, we were all talking about how we came to the avocation of storytelling. One of the speakers said she actually started because her friends told her she wrote well.

The gentleman across the table started to discuss what she wrote about and the content of her sentences, and he eventually asked how well she thought she connected ideas in her sentences to one another.

It made her pause.

Writing Voice
It made me realize that, in the end, the task of writing a story boils down simply to writing sentences within scenes. By themselves, they may not be amazing sentences. They might not be poetic. They might not display dazzling alliteration.

But a good writing voice … at least a consistent, clear one … can produce glowing strings of intricate beauty. Voice is the outcome elicited by the words you choose and the sentences you assemble using them. Voice is the effect on the reader.

Voice is your style.

The highest goal of voice is clarity … not to write sentences that call undue attention to themselves.

Creating (or fixing) a writing voice won’t be found in a manual. It involves an investment of time. In other words: read, read, read.

The best strategy is to begin noticing how your writing voice compares to the voice of successful authors you admire. Try to categorize their voices and observe how they use language. Compare their sentences to yours. If you can see the difference, then three more words apply:

Practice. Practice. Practice.

This is an ear thing, a sensibility thing. It is something that can be learned over time, but be sure to get feedback from someone qualified who cares enough to be honest. It may be the best opportunity you ever have to experience a writing epiphany.

* * * * *

I’ll be joining a host of other authors signing books at SterlingFest in Sterling Heights, Michigan on July 27.

**********

Gentle Readers, my books have all garnered some terrific reviews. You can see all of them by using the Amazon link below. Check them out. Better yet, buy one and read it. You just might like it.

buy now;

**********

You’re invited to visit my author’s website, BROKEN GLASS to hear the remarkable radio interview about my novel “Blood Lake” on The Authors Show. You can also like my Book of Face page, find me on Goodreads, or follow my shorter ramblings on The Twitter.

**********

Comments posted below will be read, greatly appreciated and perhaps even answered.

Can You Make Your Narrative Voice Sing?

January 15, 2019

Telling a story is very much like taking a picture. You choose the elements you want to include and decide on the perspective.

For instance, imagine you’re writing a story where three very different singers – let’s say, Tony Bennett, Willie Nelson and Janis Joplin – are each singing “Itsy-Bitsy Spider.”

Interesting concept … right?

I’m sure you can hear how each of them would interpret the song, making it his or her own by imprinting it with his or her unique style.

The plot doesn’t change at all from singer-to-singer; we know that persistent little arachnid will get washed out of the spout, yet will eventually triumph over adversity.

But each version’s style is determined by the singer’s tone of voice, which notes are emphasized, the tempo and the background music.

A writer has to do the same thing with words to establish style.

Which is a long way to go merely to point out it isn’t necessarily what you say, it’s the way you say it.

That’s the narrative voice.

First-Person
If your story is written in the first-person, like most of mine are, the relationship you’re developing is between the narrator and the reader. Whether you want the reader to like, dislike, admire or loathe the narrator, the most important thing is to compel the reader, to keep them turning pages.

Take this excerpt from my award-winning novel ONE WAY STREET:

*****

    As soon as the Medivac left and our cover-fire slackened, the NVA began to probe our position again from both sides.
    We had no air support as we made our way back to the top of Hill 882, where we regrouped and formed the most nervous night perimeter I ever hope to be in. We were short of just about everything, from ammunition to grenades, and weren’t supposed to be resupplied until the next morning.
    “Can I ask you something, Blake?” I said to a weary-looking Thompson when he took the position next to me.
    “Sure,” he said, adding, “Wish I could light up a fag. I really do need a cigarette.”
    “You and me both.”
    “Barrett, you don’t smoke,” Blake said.
    “Yeah, I do,” I replied. When he stared at me I added, “But only when I’m scared.”
    He chuckled a little, but still sounded nervous, “I take it your knees haven’t stopped shaking,” he said.
    “I don’t know,” I said, “my ass hasn’t stop leaking long enough to find out.”
    He broke into a loud, whooping chortle, which he tried hard to stifle. The next man in the perimeter shushed him. Blake was silent for several moments, looking from the stars in the dark sky to the safety on his M-16. “Think we’ll be OK?” he said in a whisper.
    “I wish I knew,” I said, as I reloaded my own M-16. “But I wouldn’t be giving us very good odds.”
    “I was afraid of that.” Blake’s eyes looked up at the jungle without raising his head. “Was that what you wanted to talk about?”
     I’d almost forgotten the question I’d asked him.
    “No, I was just thinking about a guy I used to know,” I said, “a friend…but you wouldn’t know him…so never mind.”
    “What was his name?” Blake turned to look at me. He had blacked his face for camouflage and muddy streaks were caked on top of it. He could have been a clown, if he smiled. Or the devil himself, if he was angry.
    “His name was Albert Parker,” I said, “He used to live right across the street from me.”
    “Good guy?”
    I thought about it a moment. “Yeah,” I said, looking over at Blake, “a really good guy.”
   “You said he used to live across the street. Did he move, or something?”
     “No,” I said, “he died.”
    “Aw, that’s too bad, man,” Blake said. He adjusted his bandolier and started to lean back against the mound of dirt behind us. “What’d he die from?”
    “Coming over here.”

*****

Even though it is all coming from the perspective of the character Barrett, hopefully you can hear the dark undertones of the situation. It’s also my hope that you’re just dying to know what happens next!

Third-Person-Omniscient
This often used POV has no restrictions as to whose perspective you use to view the fictional world. Often it seems to be a know-it-all voice outside the specific time of the story. The clearest example I can think of is the opening of Charles Dickens’ A TALE OF TWO CITIES:

*****

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way.

*****

In this POV, the intimacy is formed with a trusted narrator who isn’t really part of the story. The narrative voice has a wisdom about the world, and the reader must trust that this voice will continue to comment on events and put them in perspective.

Either way, always remember, description is a tool to enhance the story, the same way a frame enhances a painting. If the frame is too ornate or large, it overshadows the artwork.

It’s like stepping on the gas pedal of your car; only do so in relation to how fast you want the car to go … and remember that great Stephen King quote: “Description begins in the writer’s imagination, but should finish in the reader’s.”

* * * * *

Gentle Readers, my books have all garnered some terrific reviews. You can see all of them by using the Amazon link below. Check them out. Better yet, buy one and read it. You just might like it.

buy now;

**********

You’re invited to visit my author’s website, BROKEN GLASS to hear the remarkable radio interview about my novel “Blood Lake” on The Authors Show. You can also like my Book of Face page, find me on Goodreads, or follow my shorter ramblings on The Twitter.

**********

Comments posted below will be read, greatly appreciated and perhaps even answered.


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