Posts Tagged ‘Rochester Writer’s Conference’

What is the Story Within?

October 19, 2015

Oakland University Campus

I spent the day Saturday at the Eighth Annual Rochester Writers’ Conference at Oakland University. It’s one of the best one-day conferences going, and a tribute to its organizer, Michael Dwyer.

I find Michael’s conference a veritable treasure chest, and have attended every fall session since its inception. I’ve never failed to come away without some new, useful information.

Rochester Writers The theme this year was “The Story Within” and it featured Michigan authors, speakers & educators discussing fiction, non-fiction and business topics, through lectures, workshops and panel discussions.

The keynote address by best-selling author Bonnie Jo Campbell, a 2011 Guggenheim Fellow, who was also a finalist for both the National Book Award and the National Book Critic’s Circle Award (as well as being awarded a Pushcart Prize) was fun and informative … and worth the day, all by itself.

Speaking skills, poetry, history, author branding, children’s books, flash fiction and writing productivity were all session topics. There was also a publishing panel moderated by Lisa Howard that answered questions relating to publishing today.

There were also two small-group agent pitch sessions with literary agent Alice Speilburg. I attended one and found it very informative (although I don’t think I convinced her to represent my books).

I attend this conference every year trying to find ways to market my work. Some folks wonder why, and I’m not ashamed to tell them.

I spent 40 years in advertising, public relations and marketing, but in the past four years I’ve found trying to market my books … particularly on a short (read almost non-existent) budget … one of the hardest things I’ve ever done.

The funny thing is, today’s writers have never had a more global reach. Of course, the potential of a global readership only matters if an author knows how to access it.

To Answer Who, You Need What
To get the most out of your marketing efforts, you want to attract a specific type of reader … the one suited to your book. This means you need to know who they are and where they hang out.

When it comes to understanding which readers are most likely to enjoy your book, you first need to look at what makes your book special. This means you must answer the crucial question: What makes your novel stand out from all others like it?

Authors tend to suffer book blindness when it comes to their own work. I know I’m guilty-of-it-as-charged.

It can be difficult to see what sets your novel apart. I keep going to conferences hoping someone has a real clue.

Here are a few ideas on what form this unique element might take:

    ~ A theme or cause that commands attention: bullying or family dysfunction (see Reichold Street)

    ~ Life during the Vietnam conflict and its PTSD effect among war veterans (see One Way Street)

    ~ Intriguing character talents or skills: even terrible, illegal ones, like drug use or murder (see Street Light)

The Next Question Is Where
Once you know the types of people suited to your book, you need to figure out how to find them and which people are influential with this particular audience (bloggers, other authors and organizations).

Also, find books like yours and investigate how they connect with their audience. Chances are their readers are a good fit for your novel. If you need help finding those books, try Yasiv, which provides an image web of books Amazon users typically buy together.

If your book is quite new and doesn’t have a lot of connections yet, find one like it and use that title as the reference point.

When looking for an audience, try also thinking beyond books. Whatever your standout element (like the Vietnam-era in my Reichold Street series), brainstorm what other businesses, artists, and organizations do to cater to this interest group.

Cross-promotion can open up new audiences. Try running an advanced search on The Twitter to show people, hashtags and groups that are actively talking about it.

Now Comes the Hard Part
Once you find potential audiences and influencers, you have to do something to reach them. And to be honest, this is the part where 80 percent of authors drop the ball.

The reason is simple: connection takes time.

As we all know from the barrage of “buy my book!” promotions online, the direct sell doesn’t work. It’s white noise; we see so much of it in our Twitter and Book of Face feeds, we just skip past it.

And yet authors still do this kind of promotion day-in-and-day-out because they’re looking for a shortcut solution to sales.

All they’re really doing is wasting time … time that could be put into building a community.

Connection is Simple
Find like-minded people and start conversations. Ask questions. Comment, add value, entertain, discuss your common interest, share relevant links and be authentic. It’s the main reason I write this blog (not to hear myself talk, as my bride sometimes suggests).

Choose the social media platforms (like Goodreads), blogs, forums, and other communities where your audience hangs out … and make your conversations about them, not you.

In other words, don’t treat them like your meal ticket. Get to know them. Show you care. Add to the community. Then, when a natural opportunity arises, share that you are an author, and when it sparks an interest, share your book.

With Influencers, Give First
Leave comments and start conversations on social media that show you are interested in helping them grow. Usually reciprocation happens naturally. Brad Meltzer has mentioned my books in a Twitter post, because I praised his in several of mine.

It really is that simple … and hard. It takes time, and you have to be genuine. But ask anyone who is successful and she will tell you building a community that cares and invests in one another far outweighs other tactics.

Be yourself, enjoy the people you get to know, and trust the rest will follow. Now, if you’ll excuse me, I’m going to try some of the ideas I gathered at the conference Saturday … right after I tell Michael again what a good day it was.

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Click on the red-arrow link below to hear my recent podcast answering your questions about indie writing (duration approx 15 minutes):

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My books have all garnered some terrific reviews. You can see the stories I have available by using the Amazon link below.

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You’re invited to visit my web site, BROKEN GLASS, or like my Book of Face page. You can also follow my shorter ramblings on The Twitter.

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Comments posted below will be read, greatly appreciated and perhaps even answered.

Are Writers’ Conferences Worthwhile?

April 23, 2015

climberWRITING CONFERENCES ARE NOT THIS HARD!

Going to a writing conference isn’t going to help you much with rock climbing (at least I don’t think it will … you never know), but a great reason to attend one … perhaps the best reason … is simply to meet other writers.

If you’re anything like me, the non-writers in your family look at you like you’re nuts when you simply stare at your computer screen because the right words just won’t come.

However, a fellow writer would understand a period of writer’s block and empathize with your lack of sleep while your characters won’t speak to you. They understand how difficult writing can be.

Besides gathering their empathy, it helps to hear about their successes … and their failures. Believe me, I know. If nothing else, it verifies you’re not alone.

If you don’t attend a regular critique or writers’ group, I think it’s important to find a good writing conference once in a while, with some real, live human beings with whom to share your experiences, joys, and heartaches.

Improving Your Craft
I’ve attended local area conferences before, and I’ll also be attending the Rochester Writers’ Spring Conference at Oakland University this Saturday, April 25, 2015. The emphasis of this particular conference is social media for writers.

What’s in it for me? I already have a well-followed blog, a web site, a Book of Face page, an author page on Goodreads, an Author’s Database page, a page on the Twitter, and a media page.

What am I going to learn that I don’t already know?

That’s just it … I won’t know until the session ends, but I’ve never attended one of Mike Dwyer’s conferences where I didn’t learn something of value.

I think it has a lot to do with wanting to improve my craft. I often have a “light bulb” moment while at the conference, even if I’ve heard the speaker or topic before. Something will just click and maybe even solve a problem I’ve been having with my writing.

Plus, when other enthusiastic writers and editors surround you for a day, how can you help but leave inspired? Click to read more

Why Pay It Forward?

October 3, 2014

Newton's Cradle

I’m getting ready to go to the seventh annual Rochester Writers’ Conference at Oakland University tomorrow … an event I look forward to every year. Over the years I’ve found it a great way to bone up on the basics of the business, while I network with other writers and industry professionals.

Oakland University Campus
Early Fall on the Oakland University Campus, Rochester, Michigan
Rochester Writers
The Seventh Annual
Rochester Writers’ Conference
Saturday, October 3, 2014
Oakland University

A good conference, which this one always proves to be, can offer an interesting inside look at the craft of writing.

In fact, if you’re a newbie, or just new to writing conferences, I suggest you start with a smaller, local conference like this. It’s less expensive and much less intimidating than big, national multi-day events, but you can still make vital connections.

As much as I may think I know, I learn something every year. You may only occasionally meet a literary agent but, and probably more importantly, you get to network with other local authors.

But I won’t lie to you; it can be an exhausting experience. There are a lot of choices to make and a lot of ground to cover in a day.

Good Writing is Hard Work
Good writing is very hard work, but the journey is worth it. Why do I say that? Well, the answer could be as simple as “writers write.”

Every fiction author I’ve ever met says pretty much the same thing. They all write to tell a story, make an esoteric point, chronicle an era or expound on an event. Some say they actually write to please their readers.

But I think they really write for the same reason I do … the joy of the writing process itself.

It’s for those almost mystical and ethereal moments when the all the hard work you put in finally allows the muse to spit a few words from your brain onto the page … in the process creating something exciting and new.

Publishing Has Changed
Publishing has produced its own exciting, dynamic story arc since I first submitted a story for consideration … way back when I was seventeen (to give yourself some idea of just how long ago that was, think pterodactyls).

Back then, except for the monthly magazines that bought a lot of fiction, we all knew that in order to be published in a book, you had to pitch a traditional publisher.

After I decided (much to my sweet bride’s dismay) to take an early retirement from my nine-to-whenever corporate marketing job, I thought, OK, pitch to a publisher, that’s writing, too … I can do that. How hard can it be?

Of course, I soon discovered that in order for that to happen I first had to secure an agent, since no large publisher would deign to talk to me without one.

However, at my age, finding an agent willing to take a chance on my writing was tough. I suspect every one I contacted really wanted to find an erudite thirty-something with many, many years of writing time ahead of him.

They probably didn’t see me fitting into their picture of a nice, long, sustained collaboration. Which was ultimately fine with me because, conversely, I didn’t feel like I had the time to search for someone who would.

Since self-publishing was quickly becoming the new pathway for getting noticed, as good, entrepreneurial indie authors made ever more assured strides in the marketplace, I decided to join them. I became a published indie author.

Once I made up my mind I was an indie, my path was set. Good things have followed, and I don’t regret it.

But why a conference?

You Will Get Energized
The real answer is why the hell not? It may sound like an obvious statement, but where else can you meet so many people at varying stages in their writing careers?

I find that writers, as a group, are very supportive. If you sit at tables with people you don’t know and make an effort to say hello, it’s easy to meet others who are not only willing to talk, but are willing to offer help and advice for any problems you encounter.

It’s one of the reasons I write this blog in the first place.

Call it paying it forward. I’ve already met others who’ve been there before and who were ready to go out of their way to help me as I tried to figure out some of the rough spots, so why shouldn’t I pass it along to everyone I can?

Besides, there’s nothing more infectious than a bunch of people all excited about the same thing.

My brother-in-law, whom I affectionately call Little Brother, does it with his buddies and baseball. I go to a writing conference with an ear to listen, because I guarantee there will be speakers who seem to be talking directly to me.

You might attend a session on how to query an editor, create dynamic characters, or even self-publish; or how to effectively use social media, as I’ve talked about here so often.

You might even find one on exactly how to pitch to that publisher you’ve been salivating over … and those sessions can be just as interesting as college classes. Sometimes even better.

The only difference … there are no tests … and everyone wins.

Excited now? I am. I can hardly wait for tomorrow!

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You can find my books as eBooks or paperback on Amazon, or at Barnes & Noble. You’re also invited to visit my web site, BROKEN GLASS, or like my Book of Face page. You can also follow my shorter ramblings on The Twitter.

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Comments posted below will be read, greatly appreciated and perhaps even answered.