Posts Tagged ‘book marketing’

What the Heck is a Tetrology?

November 12, 2015

slide_208667_680364_hugeMaking a Splash

Now that I’ve written and published three books that are considered a trilogy: (Reichold Street, One Way Street and Street Light) what do I call a fourth book in the series?

This recently became an issue, when I mentioned on social media that I’m writing another book featuring some of the characters originally found in the first three books.

Now, technically, four books in a series is called a tetrology.

Does that mean I have to change the covers for the three books that comprise the original trilogy? Particularly any of them that make reference to a trilogy (like Street Light)?

Well … in a word … probably not.

OK … that’s two words, but authors and publishers have done things like this before. Publish multiple books in a series, I mean.

Some authors have their characters go through changes, and make references to past events (like my series). Typically such series are published in the order of their internal chronology, so that the next book published follows the previous book.

The changes may be minor – characters might get engaged, change jobs, etc. – but it does not affect the main story line.

Besides my books, examples of this type include Tony Hillerman’s award-winning Navajo Tribal Police books.

In other series, the changes are major and the books need to be read in order to be fully enjoyed. Examples of this type include J.K. Rowling’s Harry Potter series.

There are some book series that are not really a proper series at all, but more of a single work so large that it must be published over two or more books.

Examples of this type include The Lord of the Rings volumes (including the prequel, The Hobbit) or the Dark Tower series by Stephen King.

Some authors, like C.S. Lewis, make it difficult to list their books in a numerical order. In his Chronicles of Narnia series, he jumps back in time to early adventures of the characters, writing works that must be placed before or between previously published works.

This was likely done intentionally, as C.S. Lewis was a medieval literature scholar, and knew medieval literature does not always tell a story chronologically.

Now, I’m not using any of this information to make light of those who might question my announcement that I’m working on a fourth book in what they’ve come to know as “a trilogy.”

It’s not something I planned … but neither was the trilogy in the first place. It just happened.

Now, I’ve discovered the characters have more to say … months after I thought they were done.

I’ll find some way to account for it with the title of the new book, which is still up in the air. Hopefully, you’ll just enjoy the read.

Either way, I hope you’ll take a moment to take a short survey about the whole issue.

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My books have all garnered some terrific reviews. You can see the stories I have available by using the Amazon link below.

buy now amazon

You’re invited to visit my web site, BROKEN GLASS, or like my Book of Face page. You can also follow my shorter ramblings on The Twitter.

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Comments posted below will be read, greatly appreciated and perhaps even answered.

It’s All About Character

October 31, 2015

witchy watercolorWitchy Watercolor

It’s Halloween, and I’ve been having a ball watching all the little goblins, demons, caped crusaders and princesses come to the door. The event hasn’t changed a whole lot since I was a kid, and that’s just fine with me.

Some things are just too special to try to improve.

My bride got back into the spirit this year with one of her old junior high friends. The two of them attended a “Witches Night Out” charity affair over in the Joliet area of Chicago.

I have it from reliable sources there were 1300 women in attendance, all dressed in their best witches outfits, raising money for United Way Agencies helping women and children.

They had a ball (no pun intended), and it was fun watching the two of them act like kids again for a few hours.

I keep thinking of those things tonight, as I peer into the darkness, waiting for more little monsters to step into the porch light.

We don’t get as many kids as most of the neighborhood. We live at the top of a hill, on a cul-de-sac with only about a dozen houses. The kids don’t like coming up here, because it’s too hard to get to the rest of the neighborhood from here.

I would have avoided this street, too, when I was a kid.

It’s been a slow night and I imagine we’ve seen just about all the traffic we’re going to. On top of the location, it’s raining and only 45 degrees outside. Not the best weather for little kids to be out.

Sad, in a way.

There’s a scary movie playing on TV in the background, Lady in the Water, written and directed by M. Night Shyamalan and, with the slow night outside, it started me thinking of the many ways we’ve tried to scare ourselves with movies over the years.

A lot of folks would probably vote for “Nightmare on Elm Street” as one of the scariest movies, but I thought the character of Freddy Krueger was way too predictable.

My choice for two of the scariest movies of all time would have to be the adaptation of Stephen King’s “The Shining” and William Peter Blatty’s chilling “The Exorcist.”

I know many of you will disagree … and that’s fine. We all get entertained (and scared) by different things. Those choices are just my opinion. I liked “The Shining” for its chilling, often baroque journey into madness. Jack Nicholson made the movie.

“The Exorcist” was shocking and blood-chilling, and it remains for me a modern parable of good and evil, which made it far more than a monster movie.

The characters made both books (and both movies). It’s one of the reasons I enjoy Stephen King so much … he always paints memorable characters. Something as a writer I can only try to emulate.

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Click on the red-arrow link below to hear my recent podcast answering your questions about indie writing (duration approx 15 minutes):

**********

My books have all garnered some terrific reviews. You can see the stories I have available by using the Amazon link below.

buy now amazon

You’re invited to visit my web site, BROKEN GLASS, or like my Book of Face page. You can also follow my shorter ramblings on The Twitter.

**********

Comments posted below will be read, greatly appreciated and perhaps even answered.

What is the Story Within?

October 19, 2015

Oakland University Campus

I spent the day Saturday at the Eighth Annual Rochester Writers’ Conference at Oakland University. It’s one of the best one-day conferences going, and a tribute to its organizer, Michael Dwyer.

I find Michael’s conference a veritable treasure chest, and have attended every fall session since its inception. I’ve never failed to come away without some new, useful information.

Rochester Writers The theme this year was “The Story Within” and it featured Michigan authors, speakers & educators discussing fiction, non-fiction and business topics, through lectures, workshops and panel discussions.

The keynote address by best-selling author Bonnie Jo Campbell, a 2011 Guggenheim Fellow, who was also a finalist for both the National Book Award and the National Book Critic’s Circle Award (as well as being awarded a Pushcart Prize) was fun and informative … and worth the day, all by itself.

Speaking skills, poetry, history, author branding, children’s books, flash fiction and writing productivity were all session topics. There was also a publishing panel moderated by Lisa Howard that answered questions relating to publishing today.

There were also two small-group agent pitch sessions with literary agent Alice Speilburg. I attended one and found it very informative (although I don’t think I convinced her to represent my books).

I attend this conference every year trying to find ways to market my work. Some folks wonder why, and I’m not ashamed to tell them.

I spent 40 years in advertising, public relations and marketing, but in the past four years I’ve found trying to market my books … particularly on a short (read almost non-existent) budget … one of the hardest things I’ve ever done.

The funny thing is, today’s writers have never had a more global reach. Of course, the potential of a global readership only matters if an author knows how to access it.

To Answer Who, You Need What
To get the most out of your marketing efforts, you want to attract a specific type of reader … the one suited to your book. This means you need to know who they are and where they hang out.

When it comes to understanding which readers are most likely to enjoy your book, you first need to look at what makes your book special. This means you must answer the crucial question: What makes your novel stand out from all others like it?

Authors tend to suffer book blindness when it comes to their own work. I know I’m guilty-of-it-as-charged.

It can be difficult to see what sets your novel apart. I keep going to conferences hoping someone has a real clue.

Here are a few ideas on what form this unique element might take:

    ~ A theme or cause that commands attention: bullying or family dysfunction (see Reichold Street)

    ~ Life during the Vietnam conflict and its PTSD effect among war veterans (see One Way Street)

    ~ Intriguing character talents or skills: even terrible, illegal ones, like drug use or murder (see Street Light)

The Next Question Is Where
Once you know the types of people suited to your book, you need to figure out how to find them and which people are influential with this particular audience (bloggers, other authors and organizations).

Also, find books like yours and investigate how they connect with their audience. Chances are their readers are a good fit for your novel. If you need help finding those books, try Yasiv, which provides an image web of books Amazon users typically buy together.

If your book is quite new and doesn’t have a lot of connections yet, find one like it and use that title as the reference point.

When looking for an audience, try also thinking beyond books. Whatever your standout element (like the Vietnam-era in my Reichold Street series), brainstorm what other businesses, artists, and organizations do to cater to this interest group.

Cross-promotion can open up new audiences. Try running an advanced search on The Twitter to show people, hashtags and groups that are actively talking about it.

Now Comes the Hard Part
Once you find potential audiences and influencers, you have to do something to reach them. And to be honest, this is the part where 80 percent of authors drop the ball.

The reason is simple: connection takes time.

As we all know from the barrage of “buy my book!” promotions online, the direct sell doesn’t work. It’s white noise; we see so much of it in our Twitter and Book of Face feeds, we just skip past it.

And yet authors still do this kind of promotion day-in-and-day-out because they’re looking for a shortcut solution to sales.

All they’re really doing is wasting time … time that could be put into building a community.

Connection is Simple
Find like-minded people and start conversations. Ask questions. Comment, add value, entertain, discuss your common interest, share relevant links and be authentic. It’s the main reason I write this blog (not to hear myself talk, as my bride sometimes suggests).

Choose the social media platforms (like Goodreads), blogs, forums, and other communities where your audience hangs out … and make your conversations about them, not you.

In other words, don’t treat them like your meal ticket. Get to know them. Show you care. Add to the community. Then, when a natural opportunity arises, share that you are an author, and when it sparks an interest, share your book.

With Influencers, Give First
Leave comments and start conversations on social media that show you are interested in helping them grow. Usually reciprocation happens naturally. Brad Meltzer has mentioned my books in a Twitter post, because I praised his in several of mine.

It really is that simple … and hard. It takes time, and you have to be genuine. But ask anyone who is successful and she will tell you building a community that cares and invests in one another far outweighs other tactics.

Be yourself, enjoy the people you get to know, and trust the rest will follow. Now, if you’ll excuse me, I’m going to try some of the ideas I gathered at the conference Saturday … right after I tell Michael again what a good day it was.

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Click on the red-arrow link below to hear my recent podcast answering your questions about indie writing (duration approx 15 minutes):

**********

My books have all garnered some terrific reviews. You can see the stories I have available by using the Amazon link below.

buy now amazon

You’re invited to visit my web site, BROKEN GLASS, or like my Book of Face page. You can also follow my shorter ramblings on The Twitter.

**********

Comments posted below will be read, greatly appreciated and perhaps even answered.