Archive for the ‘Market Your Book’ Category

How Do You Build a Publicity Tsunami?

September 6, 2013

surfer

Creative Content
I’m old enough (sigh) to remember the early 1960’s, when Time magazine called David Ogilvy “the most sought-after wizard in today’s advertising industry.”

For those who are delightfully young enough not to remember the man or his work … in his years as an advertising executive, Ogilvy created some of the world’s most successful marketing campaigns, including the legendary “Man in the Hathaway Shirt” … which still influences today’s marketers.

In my formative years in advertising, I used to study Ogilvy’s advertising campaigns trying to learn how to persuade prospects, influence readers and create memorable content.

Now, as an indie writer trying to market my award-winning books of fiction, I still look back often at some things David Ogilvy had to say, to see what I can learn from him.

“In the modern world of business, it’s useless to be a creative, original thinker unless you can also sell what you create.”

Interesting … and still true. Cleverness alone doesn’t sell books. Original thinking in marketing is great, but not just for the sake of being witty.

When you sit down to write any marketing copy for your books, whether it’s a blog, a tweet, or a Facebook entry, if you aren’t thinking about connecting with your audience and building trust, as well as selling your product, you need to reexamine your efforts.

Don’t create content just to sell, or to get credit for being clever – create content that’s helpful, insightful, or interesting.

“Do not … address your readers as though they were gathered together in a stadium.”

Just like public speaking is usually far more intimidating than talking to someone one-on-one, as writers the idea of trying to connect with a large audience can be troubling. But Ogilvy’s advice is still true.

Don’t get caught up in it. Pretend you’re writing a personal letter to each reader. After all, when people read your blog, they’re alone with your words.

“On average, five times as many people read the headline as read the body copy. When you’ve written your headline, you’ve spent eighty cents of your dollar.”

Simple headlines are best. Always remember … on average, 8 out of 10 people will read headline copy, but only 2 out of 10 will read the rest of the piece. If your headline is confusing, tricky, or awkward, they won’t continue reading.

“Don’t bunt. Aim out of the ball park. Aim for the company of immortals.”

This is my favorite Ogilvy quotation. What we do in our day-to-day lives might occasionally seem mundane, but remember this – every day we write, whether in our books, our blogs or other social media, we’re given the opportunity to make a difference … to teach, stimulate conversation, or persuade.

That’s pretty extraordinary.

So aim high. Make sure you’re always thinking, how can I make enough difference? Ogilvy’s work continues to inspire us, and his world-famous marketing campaigns live on.

But some of Ogilvy’s best lessons are about how he approached his creative life, and how he aimed for greatness instead of settling for second best.

Hmmm. Perhaps my headline should have read: “I Don’t Always Read Fiction, but When I Do, I Prefer Ron Herron.”

It has a catchy ring to it.

 

 

Why Go to A Writers’ Conference?

August 16, 2013

Old rusty typewriter
Writing Groups and Conferences Can Help Shake Rust Off Your Muse

Thinking About a Writing Group
For an old car guy like me, participating in the world’s largest car event during this week’s Woodward Dream Cruise, is something that should be monopolizing my time. I mean, I’ve got my summer car (a silver-over-blue 1981 Corvette) all shined up and ready to go, and the weather looks like it’s going to be absolutely perfect.

My Corvette

Even so, I’ve still been thinking about the local writing group meeting I’m supposed to facilitate next Tuesday. The regular host of the group, Michael Dwyer, asked me to sit in for him. I’m a little nervous, although it really isn’t a super tough gig.

I mean, the meeting is all set up, Michael will send out the reminder emails, and the people who come … mostly writers or folks who want to be … usually generate more than enough questions to keep a lively discussion going on the business of writing for a couple of hours.

Mike’s a local writer who goes to a lot of trouble to set up and facilitate these monthly meetings. I go to most of them, always enjoy myself and never fail to come away with some positive learning. I’ll be content if I’m at least half as good at it.

My Favorite Writers’ Conference
Michael also puts together my favorite annual writers’ conference, which I just realized is now less than two months away.

October 5, 2013 will mark the date for the sixth annual Rochester Writers’ Conference at Oakland University in Rochester, Michigan. It’s a one-day conference with a variety of sessions and guest speakers. I’ve attended every one so far, and even co-hosted a break-out session last year on self-publishing.

Smaller, local conferences like this are a great way to network with other writers and industry professionals.

They tend to be much less expensive and far less intimidating than big national conferences, but I guarantee you’ll still occasionally meet agents and publisher reps, make some great connections and get an intense one-day course in the craft of writing.

Get the Most Out of Your Conference Experience
Even if you’re a raw beginner, I recommend you attend at least one writers’ conference and here are some things to remember to get the most out of the experience:

DON’T dress up. Wearing something distinctive may help people remember you (Bohemian writer look maybe?), but even a one-day conference can seem long and intense and you’ll be glad nothing is chafing your neck. Wear comfortable clothes.

DO a Google search of as many presenters as you can identify, and learn as much about them as you can. That way you’ll have good subjects for conversation if you have a chance to chat.

A lot of indie authors see conferences as a means to move into traditional publishing, but don’t pitch your project to publisher reps or literary agents you may meet unless you happen to be in a specified pitch session.

However, it will never hurt to ask anyone how they’re enjoying the conference, or to offer to get them a cup of coffee. Just being friendly can make you memorable.

DON’T bring all 1,759 pages of your sci-fi/horror/zombie/romance manuscript and try to thrust it on conference presenters or fellow attendees (do I hear critique session, anyone?). And if it’s really a 1,759 page sci-fi/horror/zombie/romance manuscript … don’t bother anyone else with it. Particularly me. Please.

DO get business cards printed if you don’t have any yet. I think they’re essential for networking. I’ve lost count of the people I’ve met who don’t have any … and I’ve also lost the scrap of paper where I wrote their contact information.

DON’T forget to prepare your “elevator pitch” beforehand, so you can tell any literary agent, editor, publisher or fellow writer what your book is about in three sentences.

Have your logline, your hook and your pitch ready to go. Don’t expect to get a chance to use any of it, but have it ready, just in case.

Some Helpful Definitions
I realize some definitions might help (I do edit this blog, even with my tendency to ramble).

A Logline is a term that once applied only to screenplays, but has been creeping into the literary world. It consists of one or two sentences describing the story’s premise, like a film description in TV Guide.

Here’s the basic formula for a logline:

When_____happens to____, he/she must____or face____.

A Hook is longer. The hook should be the main component of a query letter to an agent or, if you happen to be an indie author like me, is essential for your Amazon blurb. It’s usually a paragraph or two giving the main characters, premise and conflict.

A Pitch can contain either or both of the above. It tells what your book is about and why somebody should buy it. It’s what you memorize before you go to a Writers’ Conference, especially if hoping you’ll get trapped in an elevator with Sister Five editors.

A good pitch answers these questions: Who? Where? What’s the conflict? What action does the protagonist take? What’s at stake? How is it unique?

DO take a notebook and several pens. Bring your laptop, if you must, but it’s very often something people hide behind. Bad idea. Besides, wifi at some conferences can be iffy, and batteries die.

DON’T be intimidated by recognizable authors, agents or editors. They’re people too. Try to tell yourself they’re as afraid of you as you are of them. It’s true. Honest.

DO remember to have fun. You’re there to make friends as well as learn. Connections will probably be the most important thing you take away from the conference.

The Business of Writing
Writing is hard work, and I really believe most writers keep writing to feel the joy of the process. I know I do.

I’m in it for those moments when the muse tosses words from my brain onto the page and they actually assemble in a somewhat meaningful way.

Publication is a nice bonus and a sale is confirmation that someone might really want to read those muse-driven thoughts we’ve all written down.

Attend a writing conference if you have a chance. It’s a pleasant surprise to realize how many others are mesmerized by the same thing. A conference tells us we’re not alone.

Keep writing. It feels good. Enjoy the journey.

 

Build Your Author Brand

August 8, 2013


It Takes Effort to Build an Author Brand

Many authors mistakenly assume building a personal brand either comes naturally (of course my fans will know me through my work), or that it’s simply unnecessary.

I have to admit those thoughts went through my own mind when I started this journey. It was very much like believing “Build it and they will come.” Which, as we all know, only happens in movies.

Sadly, I should’ve known better that both of those assumptions were false. For people to follow you and your work, they need to know who you are, what you write and what you stand for.

Branding certainly accomplishes this, but branding requires a good deal of effort and attention.

I can almost hear you say “But I’m an author, not a commodity. Why should I have to do it?”

Many years working in public relations and marketing taught me an important truth: an effective brand image gives you an edge in successfully selling your product … and as a writer you and your books are both a commodity.

As an indie author I can also tell you, building your brand is entirely on your own shoulders, ’cause ain’t nobody gonna do it but you.

Your Brand is Your Promise to Your Audience
What exactly does “branding” mean? We all have a personal brand, whether we know it or not. In one way or another an author is always being judged and evaluated. Particularly an indie.

To be effective, you need to control the face you show the world.

It’s your brand that tells people what they can expect from your work. But your brand stems not only from who you are and what you write, but how you’re perceived, and it should also be how you want to be known. In a marketing sense, branding is actually the process of selling yourself.

Your writing will ultimately stand on its own.

However, it’s by the conscientious building of your brand that you make it easier for your book to attract a “tribe” of readers that identify with it. And that’s the important thing: building that loyal tribe of followers.

How do you do it? Marketing guru Seth Godin describes how the landscape has changed from the old ‘mass marketing’ model many of us grew up with (me included).

Discover Your Brand Personality
The first step in building your brand is taking the time to define and articulate (at least to yourself) both how you’re alike and why you’re different from other authors. Believe me, it’s damned hard to do. It requires self-analysis and introspection.

You start by doing some research. Check out the sites of authors, bloggers, designers and other creative types. What attracts you? What turns you off? Then start brainstorming, focusing on your strengths, passions and goals.

What do you like to write? What ideas and feelings do you want people to associate with you? What mood or immediate impression do you want to evoke? Stephen King is known primarily for one genre of writing, as are J.K. Rowling and John Grisham.

You can probably articulate in very few words how all these (and other) successful authors are identified.

That’s a brand.

Wait, there’s more!