Archive for the ‘Market Your Book’ Category

How Do You Deal With An Uncooperative Muse?

October 13, 2013

Muse

I mentioned last week my writing muse has abandoned me. It’s probably to make me wonder if I’ll ever finish the last half of my REICHOLD STREET sequel so the book will actually see the light of day this year, as I more or less promised.

Or maybe it’s just to make me sweat.

I’m not sure. Those nine Greek muses were notoriously unpredictable. Not to mention there was no muse specifically for fiction.

Don’t believe me? Check the list:

    Calliope was the muse of epic poetry
    Clio was the muse of history
    Erato was the muse of love poetry
    Euterpe was the muse of music
    Melpomene was the muse of tragedy
    Polyhymnia was the muse of sacred poetry
    Terpsichore was the muse of dance
    Thalia was the muse of comedy
    Urania was the muse of astronomy

See? No muse at all for historical fiction, mystery, westerns, sci-fi, fantasy, spy thrillers, horror, young adult or zombie romance.

The tragedy and comedy muses might work, if you’re considering a reprise of Shakespeare’s Romeo and that Capulet girl … or think you have a shot rewriting Joseph Heller’s fabulous “Catch-22” into the latest zombie apocalypse fable, featuring a worried Yossarian and the dispassionate Colonel Cathcart as dancing corpses.

So, since the literary muse I don’t even have has abandoned me for the moment, I’ve been spending time foraging around the Internet … mostly because (1) I don’t have the inclination to visit the library, and (2) the web of nets is faster.

Anyway, I was surfing again on the web of nets and came across another remarkable comment by reformed journalist Guy Bergstrom, this time from a post on his blog back on October 11, 2011. I have to mention it, because this particular entry almost had me sitting down to write my stalled novel again.

He said it doesn’t matter what you’re writing: “spy thrillers, speeches, newspaper stories or romances about men in kilts” … the only thing readers truly care about is the journey you take them on.

Here I’ve been struggling to paint with words, and he says the roller coaster ride you take a reader on is more important than how pretty you’ve painted things.

In other words, story structure beats pretty words.

Wow … what a concept! All you other indie writers out there, are you listening? Readers want a thrilling ride.

Wait, there’s more!

Earned Media Is All About Generating Free Exposure

September 26, 2013

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Get Your Attention Right Here!
Earned media is really just the digital-age term for word-of-mouth advertising. It’s an idea that has grown hand-in-hand with content and social media marketing and the notion that a viral success can cheaply translate to mega-exposure.

Everyone wants earned media.

Marketing agencies know this, and they routinely pitch their ability to generate it. Most businesses, even small ones, are embracing the earned media paradigm to shape their social media strategies. Indie writers are no exception.

However, there are many misconceptions floating around the notion of earned media via the use of social media.

Earned Media Has a Number of Advantages
Many of them are obvious. (1) it’s “free,” in the sense that there’s no direct payment for the exposure provided; (2) it’s transparent, in that brands need not rely on intermediaries to measure it; and (3) it tends to create greater trust than paid or owned messages.

People trust the enthusiasm and recommendations of friends, acquaintances and professional networks more so than ads.

The Disadvantages Are Less Obvious
The real disadvantage has to do with earned media’s hidden cost. It requires investment in internal and external social media content generation. It takes time and effort.

Sometimes a lot of effort.

This week, I spent some time looking over past entries to my blog, because I thought they might make an interesting booklet if compiled and published together. One I could sell.

Looking at them, however, I noticed I keep talking about writing blogs and the Twitter and the Book of Face, as though they’re going to help, all by themselves in some magical way, reach out to fans, create a nice fan base and sell books.

I keep pushing new media as the be-all and end-all of promotion, completely forgetting the many years I spent dealing in old media to sell things.

Old media that worked.

It made me realize I’m not doing justice to readers who are looking for indie writing/publishing advice by pushing so hard on the new media tack without completing the story. Being an indie writer myself and talking about my experiences is not sufficient.

I do mention the need for word-of-mouth publicity, and I’ve written about earned publicity … not paid publicity. I just don’t do it enough.

Evaluate Social Media
When you consider maybe half the people in a social network will actually see a posting (assuming they aren’t following so much stuff they don’t have time to read any of it), and maybe one percent of those who see it will respond, and about five percent of the responders will buy, you’ll understand why marketing types today use this formula to evaluate social media:

(followers) x (50% see it) x (1% pay attention) x (5 % buy it) = sales.

Using this as gospel, you can figure out what the outcome will be for any given social networking post. For the sake of example, I’ve chosen an audience following of 100,000 (I should be so lucky). It works out something like this:

100,000 x 50% x 1% x 5% = 25

You read that right. Assuming you have something to sell, a posting to 100,000 followers on your social media site (your blog, the Twitter, the Book of Face, or whatever else you use) could possibly translate into 25 sales. Maybe.

Twenty-five. That’s it.

Considering all the time I spend on those sites, those numbers made me feel sick, too.

I have almost 2000 follows here. Another 1650 on The Twitter. Only about 53 on the Book of Face (I’m not real active there). I’m not at all sure about Pinterest or Tumblr or LinkedIn or any of the others I’m on and vaguely familiar with, so I won’t count them.

So let’s say it’s about 4000.

Let’s see … 4000 followers x 50% x 1% x 5% = 1.

Seems I’m way ahead of the curve with my actual sales, but it still isn’t promising. Mediocre is more like it. Never mind my first two books are award-winners. They don’t sell as well as I would hope.

So What Are We Supposed To Do?
There are scads of untalented hacks … people who couldn’t write their way out of a wet paper sack with two sharpened pencils and an axe … who sell more books than some great writers.

And I’m not talking about books in some alternative universe. These untalented non-writers sell all kinds of books right here on good ol’ planet Earth: non-fiction and fiction.

What’s the secret? You know their name.

That’s it. Name recognition.

Nothing is more powerful. If you want to reach a mass audience, you must use mass media. Must. Not should.

Must.

You see, it doesn’t matter how good your book is … and why simply telling people how good it is on social media won’t, all by itself, help. It’s why someone like Glenn Beck (or whomever it is who writes his books for him), have books on the best seller list.

People know his name (the same is true of non-talented folks like the Kardashians, too … so I’m not just picking on you, Glenn).

Use the same formula I just gave you, but assume 200 million people around the world know your name. Go ahead, do the math.

(200,000,000 people) x (50% see it) x (1% pay attention) x (5% buy it) = 50,000 sales.

That’s a bestseller right there.

Quality doesn’t necessarily matter when exposure is that high.

But to reach the kind of volume you need to achieve those numbers, your plan has to include ideas for reaching out to every form of mass media: newspapers, magazines, blogs, radio and television.

And since you don’t have an automotive company’s marketing budget, you need earned media.

Earned Media
Earned media refers to favorable publicity gained through promotional efforts other than advertising. In other words, free publicity.

Wait, you say. With social media, you can reach a mass media-type audience. Yes, but will you reach as big an audience? No.

But, you continue, everything you write will at least get out there, and the mass media may decide to cover something after spotting it in the wild, if enough people pick it up and repeat it.

That, Gentle Reader, is true.

Self-Serving Posts Don’t Get Read
But a common mistake is to treat social media as a monologue, and to make it self-centered. That’s why you see a lot of Book of Face pages that are often ‘me’ focused (including mine sometimes, sadly) and feeds on The Twitter that are just links to press releases.

In order for social media to be earned media means it isn’t something you wrote about you. You may start the conversation, but it’s a dialogue to which a lot of people contribute.

The best use of social media to try to achieve this … is to give your audience something. Inform them. Entertain them. Give them news they can use. Ask questions. Figure out why an average person would read what you’re saying. What would they get out of it? Indie authors trying to promote themselves should be no exception.

Give Your Audience the Best Value You Can
Then make it easy. By that, I mean make it simple … and make it easily found. Link things so whatever you post on your blog automatically gets on your Twitter feed, or on Tumblr, or the Book of Face … whatever you use. The more places the better.

Make it easy for other people to write and post content without jumping through a bunch of hoops.

Create a short video, put it on the You of Tubes and learn how easy it is to embed that video on your blog or put it on your Book of Face pages (I already do). Record a podcast and do the same experiment (I’m working on it).

The ideal system lets you write and post with the fewest steps possible, with your posting system linked to your other social media. Most new blogging platforms like WordPress will automatically sync with other social media like Book of Face and the Twitter, so every post you put up on your blog gets put on those other places, too.

Social media isn’t a replacement for earned media, but it’s a growing force for getting there and it’s becoming standard these days for any public figure or public figure wannabe.

If you’re in the public relations business … and, believe me, if you’re an indie writer trying to promote your writing you are … and you aren’t using social media, people today will look at you funny, as if you don’t believe in telephones.

You need to get dialogue going. More importantly, you need to have other people talking about you and your books. You absolutely need it.

Like my sons told me months ago, when they urged me to blog, tweet and Book on Face about my books … get into the 21st century, Pop.

What do you think? Share your thoughts in the comments section.

—————-

New York Review of Books – A Reminder
Look for the mention of my novel REICHOLD STREET in the September 26, 2013 Fall Books issue of The New York Review.

—————-

Creating Believable Characters
Don’t forget to click on the link in the right-hand column to get your copy of “Creating Believable Characters.” It was written specifically to aid writers with their character development and the price shouldn’t be a deterrent … it’s FREE.

—————-

 

 

Why Target An Audience?

September 18, 2013

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Sell to the Right Buyers
If I’ve mentioned this before, forgive me … I’m going to mention it again because it’s important enough to repeat.

One of the biggest mistakes new indie writers make is trying to make their book appeal to everyone. New to the idea of marketing their work, many believe the larger the potential market, the greater the chances the book will get noticed.

Sadly, this is generally not true.

The larger the market, the more competition your work is likely to face. Trying to appeal to the masses, instead of understanding the needs, wants and desires of the right few is a recipe for a book flop.

It’s finding and narrowing your niche that will help you to reach more of the people that will ultimately buy your book.

Don’t assume you already know your audience, or that they’re just like you. Do the work to confirm what your readers actually want; not what you think they need.

What’s Your Appeal?
It’s difficult to tempt people with what you have to offer unless you yourself know exactly what it is, and why they should care.

I know I’ve said this before … take the time to discover your author brand. What does your writing have to offer, who would be most interested in it and why?

Face it. Your book is not a ‘must read’ for every literate person on earth, so you need a way to narrow your focus.

Where Do You Find Answers?
The answer shouldn’t be just a guess. If you currently have a fan base, consider polling your readers or asking them to complete a survey to better understand how best to serve them.

Ask questions in your comments (on your own blog and others), and join forums and clubs that discuss your topic or genre to find out more about your audience.

Find comparable books and investigate the websites and blogs for the book and its author. Who is commenting? What types of content are they sharing and what platforms are they using to share it?

Next, check out the various social platforms the author is active on. Look at the profiles of their followers … many are very likely your target audience as well.

Reader Profile
Once you know exactly who your target audience is and have streamlined your brand to be ‘in tune’ with their interests and desires, the final step is to be where they are.

A technique I’ve used to make finding and engaging with my target audience easier, is to create a highly detailed and accurate reader profile that represents my target audience.

My target audience is young adult (male and female, 16 and older), so I pitch my books accordingly. I like to think it’s working.

My novel REICHOLD STREET was a 2012 Readers Favorite Young Adult Gold Medal Winner and my short-story collection ZEBULON was a 2013 Silver Medal Winner … in the Young Adult Fantasy genre.

You can do the same thing.

Create a character sketch of your ideal reader (like you might for a character in your novel). Give this individual a name. Connect with them, understand them. Once created, this profile is who you think of, speak to and write for when creating any marketing message.

Every email, social media post, design tweak, book trailer, book cover, blog entry, excerpt and comment must be crafted with your reader profile in mind.

Monitor mentions of your book/brand online (set up Google Alerts). Stay up-to-date on news and trends regarding your genre. What are other authors, bloggers and industry influencers talking about? (Some resources: Feedly, AllTop, Google Trends and NewsMap).

Your audience is out there.

What are you waiting for?

—————-

New York Review of Books – A Reminder
Look for the mention of my novel Reichold Street in the September 26, 2013 Fall Books issue of The New York Review.

—————-

Creating Believable Characters
Don’t forget to click on the link in the right-hand column to get your copy of “Creating Believable Characters.” It was written specifically to aid writers with their character development and the price shouldn’t be a deterrent … it’s FREE.

—————-

Please share your thoughts in the comment section below.