Posts Tagged ‘storytelling’

Storytelling is an Art

December 2, 2014

star trail tree
The Magic of Storytelling is Universal

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“The thing under my bed waiting to grab my ankle isn’t real. I know that, and I also know that if I’m careful to keep my foot under the covers, it will never be able to grab my ankle.”

~ Stephen King, Night Shift

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In the Beginning
This past weekend I was reminded of things that happened to me a long, long time ago. When I was a kid (back when dinosaurs still freely roamed the planet), my family would visit my grandparents in Tennessee every summer.

They lived a hard and simple life on a small farm in the middle of the state, about 20 miles from the nearest town. The road in front of their farmhouse was unpaved and I vividly remember cars passing by – usually far too fast – kicking up clouds of red dust that took a long time to settle.

The house itself was built of corrugated tin over a spindly wood frame, with an unpainted porch across the front of the whole place that we kids were admonished not to play on, because it had fallen into disrepair on one side.

They had electrical service, but it was only for the few bare light bulbs that hung down from the center of the low ceilings of the three rooms inside. There was no television, and it was long before the advent of video games.

I seem to recall an old AM radio about the size of a small suitcase that shared one wall of the side room where two old featherbeds awaited visitors, but I don’t actually remember it ever working. I’m not sure there was even a plug for it.

As I discovered, the few times I was there in the winter, the house was somewhat heated by a small pile of coal burning in the front room fireplace … but it was the old wood stove my grandmother cooked upon in the kitchen all day that was the main heat source. There was no central furnace.

There was no running water or a bathroom, either. We did our business in the outhouse that sat at the end of a mowed path through tall weeds way out back (which was a scary trip at night), and my grandmother drew her water from a well that had been dug just outside the back door.

A Place of Magic
However, although the house looked like something I would later see in stories of the Appalachian poor, when I was small I thought it was a magical place.

All of my relatives would converge there when we arrived, and on Sunday after church my grandmother and aunts would cook up a proverbial storm, so there was always lots of fried chicken, mashed potatoes and pies … especially pies … for a young appetite.

In spite of the condition of their homestead, I clearly remember sitting with my cousins on the good side of the porch, after filling our bellies with comfort food, listening to the myriad sounds of the warm summer nights.

In enthralled wonder, we would eagerly await the beginning of the real delight of the evening … the moment when my grandfather, father and uncles would begin to swap stories.

Most of the men smoked. It was long before the Surgeon General admonished the country how dangerous it could be and some of the men rolled their own cigarettes while they sat there on the porch (my grandfather grew and dried his own tobacco).

I thought there was something fascinating and mysterious in watching my grandfather be the first to measure out that dried weed into a thin white rectangle of paper and roll it into a vague cylindrical shape … all with one hand. With that patriarchal ceremony complete, many of the other men followed suit.

Then, almost in unison, they either leaned backward with their chairs against the porch; or sat backwards in their chair, resting an arm heavily on the high back as they leaned forward to begin weaving their tales.

Oh, the Stories
The stories they told were usually about some strange event during a previous year’s planting season … plowing up a nest of hornets, or halting the plowing altogether to chase down a fox.

The younger uncles would brag about how fast their cars were, and they would all quickly segue into tales of hunting and fishing, and “the big one that got away” got bigger with every telling.

Then, sometime well after dark, when all you could see was the soft outline of faces lit by the glowing end of a cigarette, one of my uncles would remember a ghost story and try to frighten all the kids with it.

When he finished, each of the others would try, one-by-one, to top the previous yarn. The stories got more outlandish and more eerie as the night progressed.

On cloudless nights, while the bats would chase mosquitoes, the Milky Way seemed to dance and weave its way across the heavens in step with the stories, in a way I never saw so clearly in the city. It was almost surreal wandering up there in that inky sky.

The kids would gradually huddle together and, more than once, I saw a few of my uncles bunch a little tighter together, too.

The final ghost story of the night would usually scare me half to death, but thrill me at the same time. I can remember how my skin crawled as every strange nighttime noise in that unbroken country darkness seemed amplified into something sinister.

The older I get, the more I realize the debt I undoubtedly owe to my family. I think my love of good storytelling had its genesis there on that porch.

In fact, I’m sure of it.

 
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Note: I’ve been invited to participate in “The Giving Season: Orion Township Public Library’s Author & Illustrator Fair.” The fair will take place at the library on Saturday, December 6, 2014, between 1:00 and 4:00 p.m. and I’ll be there to sign my books.

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If you can’t make it to the Author’s Fair next Saturday, you can find my books as eBooks or paperback on Amazon, or at Barnes & Noble. You’re also invited to visit my web site, BROKEN GLASS, or like my Book of Face page. You can also follow my shorter ramblings on The Twitter.
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Comments posted below will be read, greatly appreciated and perhaps even answered.
 

The One Best Storytelling Tip

February 7, 2013

“Encourage Everyone You Know to Read”

The very best tip I’ve ever seen for good storytelling is something I wholeheartedly believe to be true. If you want to be a good writer and storyteller … read.

I saw that admonition again most recently in my fourth time through “On Writing” by Stephen King.

Read.

Such a simple, profound thing. Don’t limit yourself. Open up your world. Read everything you can lay your hands on. Whether you want to write thrillers, fantasy, science fiction, suspense, romance or action/adventure; before you do anything else … read.

I believe in that advice. I’ve always been an avid reader. I encouraged my sons with it and, now that they’re grown, I’m delighted to see it passed on to my grandchildren. Read.

When they’re too young to read for themselves, read stories to them. The small effort it takes will pay enormous dividends.

Write Like You Read
When it comes to writing, we’ve all seen structural articles galore where professors, “experts” and pundits tell you to outline your plot. Introduce your main characters and themes in the first third of the story. Develop those themes and characters in the second; then resolve it all in the rest.

Really? Those writers had to get advanced degrees to tell us to write a story that people would actually want to read?

Michael Moorcock is one of the more dazzling science fiction writers of our time, having written dozens of novels and short stories since the very early 1960s.

He claims to have followed such a scripted approach and, as I said, he’s a phenomenal story teller. I’ve enjoyed his work immensely.

But when I read his idea of how to go about writing is very like that rigid structure mentioned above, it was a letdown (sorry, Michael).

As his wide audience of fans will attest (and I am one), the man knows how to tell a good story.

That approach to writing, however, if you will pardon me for a moment of brutally honest opinion … is academic bullshit.

I’m much more a follower of Stephen King’s method (see my earlier post). I start with an intriguing what-if? question, then try to visualize what happens. I let the story come to me, then translate what I see and hear in my mind into words on the page.

I suppose, by doing that, I’m ignoring all the proferred rules, regulations, templates and I-told-you-so guidelines and creating my own, suitable for what I want to say.

I’d encourage you to try it, too. At least once.

Of course, if you’re more comfortable with notes and outlines and rigid structure; go for it. It seemed to work for Michael Moorcock, and my own Mrs. Bliss, bless her, if she were still around, would give you bonus points on your report card.

Perhaps the real method is to read good stories, absorb … and repeat. Create your own storytelling process, and judge by the rapt attention of your readers and listeners how it’s working.

Like I mentioned before, it’s the final story that counts … not how you got there.

If you have a moment, please watch the book trailer for REICHOLD STREET.

 

Storytelling

January 23, 2013

boat“Old Boat” Photo © Bern Altman

“That catfish was so dang big it took three growed men and a boy to haul it into the boat. Durned near broke my pole, it did. And when it realized I weren’t about to give up, it headed for all that brush on the near shore, tryin’ to snap the line.

But I played him out along the bank, and kept him out of the weeds and the fell trees until I thought he was plumb tuckered out. It still took me and Clem and Luther, and little Andy, too, to haul him outta that muddy brown water and hold him on the boat bottom. He put up a thrashin’ that liked to break my arm.”

Storytelling sets a rhythm in motion that encourages readers to finish what they started. Good stories enchant their readers.

I think I’ve done it correctly in my books. I always try to imagine the reader sitting directly across from me as I tell the story. And I try to do it in simple, direct, compelling language, like my grandfather used to do with his fish tales.

When I write my own stories I try to talk to the reader as if I were speaking to one of my best friends. Reviewers have said it works. But storytelling and vulnerability don’t always come easily when translated into a blog like this one … even though I’m trying to talk to you as if you were one of my best friends, too.

Have you ever asked yourself why a specific blog post stopped you dead in your tracks? I have. I’ve read posts that were so captivating that I laughed out loud, or shed a tear. I’m willing to bet you have too.

If you think about it, like I’ve been doing lately, there are patterns at play in those great posts. Patterns that I’m afraid I’ve often ignored. You’ve probably read some of my posts that totally missed the mark, or left you yawning. There have been a bunch of them.

The ones that work, at least for me, are the ones where I’ve opened up with something personal. In a way, when you do that it makes you vulnerable. But when you’re most vulnerable, you tell your story wholeheartedly and honestly. The connections you make between yourself and the reader are authentic.

That kind of connectedness is what human beings are all about. It’s what writers are all about, too … or at least they should be.

For those of you who blog because you are also authors – particularly self-published authors – take a close look at the posts you think are captivating.

I think you’ll find it’s because those writers tell their story without holding anything back. The authors are truly vulnerable to the audience and tell a vivid, compelling tale with a willingness to be transparent, as they would with a friend.

I try to remind myself of two things when I write this blog. I can either write content that is dry and safe, with no personality; or I can write something daring and transparent that will shake the floor beneath the reader’s feet. At the very least I should bring back a sweet memory of something that was special in their life, too.

Good storytelling is a skill that’s only mastered by doing it relentlessly. Once mastered, all you need to do is use it.

Now that you’ve come this far, won’t you please check out my book trailer?