Posts Tagged ‘award-winning writing’

Inspiration or Willpower?

February 13, 2013

snow monkey“Finding Inspiration is Really a Matter of Willpower”

Intentions
I had originally intended to write this update about some of the various new sites available to help you self-publish your books. I was quite far along in the draft when it occurred to me.

This sounds very familiar.

So, I checked and, sure enough, I had covered this ground before in the post More Confessions of an Indie Writer, not that long ago. That was a resonably good post. I see no reason to belabor it again now. Nothing has changed all that much … yet.

Once that was scratched off the list, I went to my second topic choice, inspiration. More specifically, where do you find it? Is it found in stimulating conversation, deep research or – like my furry friend above – while relaxing alone in a hot tub?

You guessed, didn’t you?

I’ve written about that already, too.

Now what was I to do? Seems I’ve been to all these topics before. The sense of déjà vu was suddenly strong. And that reminded me of one of own personal favorite posts … Déjà Vu.

Problems
This was becoming a problem. I couldn’t come up with an idea. Could I really be suffering again from writers block?

Yes … I said to myself … you can.

When I think about it long and hard, I suppose I’ve had writers block ever since that first story I wrote as a teenager (at least the first one I remember writing). Not continuously, of course.

But there have been some really long stretches when the muse simply wouldn’t come. Most of the time, that wasn’t a problem. I didn’t make my living by writing, after all.

You still don’t, I told myself.

You’re not helping, I answered.

Whoa! Talking to myself was bad enough. My wife always thinks I’m muttering at her under my breath, when all I’m really doing is thinking out loud. But answering those mutterings? This could be serious.

Cold Hard Truth
Then the harsh reality dawned on me (I hate that cliche, but that’s exactly how it felt … like a the sudden intrusion of the sun into a long night). I don’t have writers block. I have blog writer’s block.

I have it because I should be diligently writing the sequel to my novel REICHOLD STREET right now, instead of trying to create a blog post; or Tweeting and Facebooking (is that even a word?) things that don’t really seem to be adding anything, that I can see, to my book sales.

At the same time all this is going on, to compound the problem, I’m researching other ideas on producing book covers that hook a reader, writing effective book descriptions, converting copy into ePub and mobi formats, and generally getting the word out on my marketing.

All this instead of writing my next book.

The funny thing is (or maybe it’s really a sad thing … I haven’t quite decided yet), I actually don’t need to wait for my muse where my next book is concerned. I have lots of ideas for that novel. I’m on Chapter Four right now.

At least I would be … if I was writing.

The Answer
There are two parts to our brain: the reactive part and the creative part (and I’ll just skip the whole left brain-right brain discussion).

Creating words takes concentration, and I’ve trained myself not to react to anything that makes ‘noise.’ These days I’ve abandoned the office upstairs in favor of the laptop on the kitchen table.

Everyday distractions have become part of my default setting for ‘normal.’ But sometimes, and this seems to be one of those times, the reactive part and the creative part get a little mixed up.

I’ve been so concerned with writing a blog that’s helpful to other indie-writers that I forgot something important: I’m an indie writer … and I’m in the process of creating something I hope will be spectacular.

My next novel.

Not only that, I set myself a pretty tight deadline: to be finished with it by later this summer.

Now What?
I realize I’ve allowed my creative brain to be distracted by my reactive brain and I now need to exercise more than a little willpower to get things back on track.

So this is it, reactive brain. I’m putting a limit on your activities, right now. I will allow you some control when I’m paying bills, or chauffeuring my bride around for shopping, or running necessary household errands. But when it comes to writing … I’m going back to my tried-and-true 1000 words a day minimum.

But I’m also going to limit the time I allow my creative brain, too.

My wife needs some attention. Other parts of the family might like to hear something from me other than a grunt once-in-a-while, too. It’s wet and cold and snowy outside, but our friends are not bears and don’t hibernate in the winter, so I need to see a few of them.

They’re all part of my inspiration, after all … and I really need to get back to writing.

What do you think? Leave a comment. I’d really like to know.

Do me a favor, if you don’t mind: Watch this short book trailer. Thanks!

 

The One Best Storytelling Tip

February 7, 2013

“Encourage Everyone You Know to Read”

The very best tip I’ve ever seen for good storytelling is something I wholeheartedly believe to be true. If you want to be a good writer and storyteller … read.

I saw that admonition again most recently in my fourth time through “On Writing” by Stephen King.

Read.

Such a simple, profound thing. Don’t limit yourself. Open up your world. Read everything you can lay your hands on. Whether you want to write thrillers, fantasy, science fiction, suspense, romance or action/adventure; before you do anything else … read.

I believe in that advice. I’ve always been an avid reader. I encouraged my sons with it and, now that they’re grown, I’m delighted to see it passed on to my grandchildren. Read.

When they’re too young to read for themselves, read stories to them. The small effort it takes will pay enormous dividends.

Write Like You Read
When it comes to writing, we’ve all seen structural articles galore where professors, “experts” and pundits tell you to outline your plot. Introduce your main characters and themes in the first third of the story. Develop those themes and characters in the second; then resolve it all in the rest.

Really? Those writers had to get advanced degrees to tell us to write a story that people would actually want to read?

Michael Moorcock is one of the more dazzling science fiction writers of our time, having written dozens of novels and short stories since the very early 1960s.

He claims to have followed such a scripted approach and, as I said, he’s a phenomenal story teller. I’ve enjoyed his work immensely.

But when I read his idea of how to go about writing is very like that rigid structure mentioned above, it was a letdown (sorry, Michael).

As his wide audience of fans will attest (and I am one), the man knows how to tell a good story.

That approach to writing, however, if you will pardon me for a moment of brutally honest opinion … is academic bullshit.

I’m much more a follower of Stephen King’s method (see my earlier post). I start with an intriguing what-if? question, then try to visualize what happens. I let the story come to me, then translate what I see and hear in my mind into words on the page.

I suppose, by doing that, I’m ignoring all the proferred rules, regulations, templates and I-told-you-so guidelines and creating my own, suitable for what I want to say.

I’d encourage you to try it, too. At least once.

Of course, if you’re more comfortable with notes and outlines and rigid structure; go for it. It seemed to work for Michael Moorcock, and my own Mrs. Bliss, bless her, if she were still around, would give you bonus points on your report card.

Perhaps the real method is to read good stories, absorb … and repeat. Create your own storytelling process, and judge by the rapt attention of your readers and listeners how it’s working.

Like I mentioned before, it’s the final story that counts … not how you got there.

If you have a moment, please watch the book trailer for REICHOLD STREET.

 

Storytelling

January 23, 2013

boat“Old Boat” Photo © Bern Altman

“That catfish was so dang big it took three growed men and a boy to haul it into the boat. Durned near broke my pole, it did. And when it realized I weren’t about to give up, it headed for all that brush on the near shore, tryin’ to snap the line.

But I played him out along the bank, and kept him out of the weeds and the fell trees until I thought he was plumb tuckered out. It still took me and Clem and Luther, and little Andy, too, to haul him outta that muddy brown water and hold him on the boat bottom. He put up a thrashin’ that liked to break my arm.”

Storytelling sets a rhythm in motion that encourages readers to finish what they started. Good stories enchant their readers.

I think I’ve done it correctly in my books. I always try to imagine the reader sitting directly across from me as I tell the story. And I try to do it in simple, direct, compelling language, like my grandfather used to do with his fish tales.

When I write my own stories I try to talk to the reader as if I were speaking to one of my best friends. Reviewers have said it works. But storytelling and vulnerability don’t always come easily when translated into a blog like this one … even though I’m trying to talk to you as if you were one of my best friends, too.

Have you ever asked yourself why a specific blog post stopped you dead in your tracks? I have. I’ve read posts that were so captivating that I laughed out loud, or shed a tear. I’m willing to bet you have too.

If you think about it, like I’ve been doing lately, there are patterns at play in those great posts. Patterns that I’m afraid I’ve often ignored. You’ve probably read some of my posts that totally missed the mark, or left you yawning. There have been a bunch of them.

The ones that work, at least for me, are the ones where I’ve opened up with something personal. In a way, when you do that it makes you vulnerable. But when you’re most vulnerable, you tell your story wholeheartedly and honestly. The connections you make between yourself and the reader are authentic.

That kind of connectedness is what human beings are all about. It’s what writers are all about, too … or at least they should be.

For those of you who blog because you are also authors – particularly self-published authors – take a close look at the posts you think are captivating.

I think you’ll find it’s because those writers tell their story without holding anything back. The authors are truly vulnerable to the audience and tell a vivid, compelling tale with a willingness to be transparent, as they would with a friend.

I try to remind myself of two things when I write this blog. I can either write content that is dry and safe, with no personality; or I can write something daring and transparent that will shake the floor beneath the reader’s feet. At the very least I should bring back a sweet memory of something that was special in their life, too.

Good storytelling is a skill that’s only mastered by doing it relentlessly. Once mastered, all you need to do is use it.

Now that you’ve come this far, won’t you please check out my book trailer?