Archive for the ‘Award-Winning Fiction’ Category

Who Says It’s A Success Story?

May 19, 2014

success story.jpg
Sometimes You Get Lucky

Yoo hoo! It’s finished!
That novel I’ve been talking about for the last year is done!

I can hear you now … there he goes again, tooting his own horn. However, I sincerely hope you’ll forgive me a couple of paragraphs on my latest effort … there doesn’t seem to be anyone else around who’s going to do it.

Such is the life of an indie author. Even when you have a modest amount of success, it seems you can’t rest on just writing a book.

Not even one the reviewers say is worthwhile:

  • “5-STARS! A mesmerizing thriller that can haunt you long after you put the book down!”
    ~ Maria Beltran, Readers Favorite (“One Way Street”)
  • “…a memorable book … ranks with some of the best war-related literature I’ve read … it will stay vibrant in most readers’ minds for some time after they finish the last page.”
    ~ Jack Magnus, Readers Favorite (“One Way Street”)
  • “Be prepared to ooh, ahh, curse and sigh … you can’t read these stories quietly!”
    ~ Siobhan McKinney, Writer & Editor, Northern Ireland (“Zebulon”)
  • “Herron writes of a traumatic time with a sure hand … his characters speak from the pages with strong, defined voices.”
    ~ Compulsion Reads (“Reichold Street”)
  • I’ve been fortunate to get such good reviews, but if you’re an indie like me, then despite what the reviewers may say, you’re the one who’s got to blog about it … write about it on your web site … build a media page … and go out promoting it.

    In other words, you must establish your own platform.

    You Must Have a Platform
    As an indie, it’s not really a surprise there’s not going to be a big promotional program behind your work.

    However, what a lot of indies (or readers) don’t realize, even if you’re fortunate enough to land an agent, who can then secure a publisher, there’s still no guarantee of a big marketing budget.

    Since most published books never sell more than 1,000 copies, many publishers manage to stay afloat only by shifting marketing responsibility to the authors. So most book marketing today is actually done by authors, not publishers.

    Book proposals, even those from experienced authors, today need an extensive section outlining the marketing platform the author already has in place to publicize them.

    Publishers fulfill important roles in making books available in sales channels but, other than the dozen or so blockbusters, whether books move in those channels depends primarily on the authors.

    With That In Mind, Here Comes The Pitch
    Oh, No! Here it comes! He’s going to say “Buy My Books!”

    Actually, I’m not. That’s one of the things even I have blogged about. Blatant selling turns people off, and I’d hate to lose you as one of my Gentle Readers.

    Do I care if I sell them? Of course I do. But they need to stand or fall on their own merit. What I would ask you for is information.

    If you’ve read one of my books, have you posted a review? If you haven’t read one, what do you think of the things you’ve read about them? What would it take to entice you to read one?

    Leave a comment. I’d really like to know. Now, if you’ll excuse me, I have another book to write.

    Writing is Hard

    May 3, 2014

    Dog Tired
    Dog Tired, But The Book Is Done

    Believe It Or Not, Writing Is Really Hard Work
    It can be so hard you sometimes ask yourself…what’s the point?

    For more than 30 years, I woke up before six o’clock, got a cup of coffee, drove an hour to work, sat at my desk (or in my cubicle), and pattered out whatever I needed to do to accomplish the most current assignment.

    Meeting results, ad copy, annual reports, public relations blather. When I finished one set, it would be on to the next one.

    It’s when I learned what ad infinitum meant.

    Then, when everything was done for the day (or I just couldn’t see straight any more) I drove another hour home, arriving too tired to do much of anything.

    I’ve been told I did my nine-to-five (or -six, or -eight, or -midnight) quite well. A lot of the ad copy, PR blather and marketing hype won awards…but I would rather have been writing a novel.

    However, I had a wife, a house payment, credit card debt and kids, so I needed to make a living. Starving in a garret for the sake of my “art” was out of the question.

    So, I had a full-time job (most of the time) and trying to find time to write fiction, which I doubted would ever make me a dime, made me feel selfish.

    But I did it anyway.

    Writing Fiction
    When I did try to write fiction in those early days, I couldn’t concentrate as well as I should have, because I knew at any moment something would interrupt me. My wife. The kids. A broken water heater. We seldom had enough money; the kids needed braces and our old car was always breaking down…but I wrote.

    When I finally got something together, usually a short story (for a long time it was the only thing I ever had time to finish) typed out laboriously on my old Smith-Corona, I sometimes had to wait until I could afford manila envelopes and stamps to send it anywhere.

    Then I’d wait on pins-and-needles for weeks before I had to deal with the rejection letters…collecting several shoeboxes full of them before I got smart, and pitched the lot of them to get rid of the negative reminders.

    Sending out all those queries and stories was more often a chore than anything remotely constituting fun. Toward the end, no one even bothered to send out rejection letters any more. They just didn’t answer you.

    But I did it anyway.

    Sometimes it felt like trying to separate the Earth from the moon by blowing through a soda straw, and yet I kept working at it. I kept showing up.

    I’ve retired from my “make a living” existence, yet I still do it, send out queries and stories…or lately, more likely, indie-publishing the ones I think are the best.

    To that end, I finally finished that story I’ve been telling you about for this past year. “One Way Street” – the sequel to my novel “Reichold Street” – is available now on Amazon…finally.

    And still I write.

    I have a sequel to the sequel in mind.

    The Question Is Why?
    I have to do it. It’s one of the few real certainties of my life, right up there with knowing my wife truly loves me (why, I sometimes can’t fathom), and it’s exactly why I will, in all likelihood, continue to write. I have to.

    As Isaac Asimov, one of my favorite authors, was once quoted as saying, “If my doctor told me I had only six minutes to live, I wouldn’t brood. I’d just type a little faster.”

    I understood…exactly…where he was coming from. I write because I have to. Why do writers do that? In all honesty, the point of it all is because there is no alternative.

    You are a writer. You show up.

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    You can find my books on Amazon. You’re also invited to visit my web site, BROKEN GLASS, or like my Facebook page. You can also follow my shorter ramblings on Twitter.

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    P.S. I participated in another book-signing today, at a local bookstore called the Michigan Book Boutique. To say they were lined-up to get in would be…well…a bald-faced lie.

    But I did have the good fortune to share the day with another writer, Keith Faigin. His book is called The Bone Eaters, and if it lives up to its hype “a fast-moving combination of mystery, horror and humor” it should be a great read. I’ll let you know.

    Are You Editing While You Write?

    April 9, 2014

    Write-Edit

    If you find it difficult to get your ideas onto paper quickly when you write, perhaps you’re editing while you do it.

    When I started writing … way back in high school, when pterodactyls still flew … I thought my best stories developed when I simply sat down and wrote, as fast as I could put words down. I even sold one of those early efforts, which was one of the most exciting things to happen to me until I met my future wife.

    The nervous practice of producing a sentence, and then going back immediately to edit it, began to happen as I got more serious about the craft.

    The funny thing is, when I started doing that … the editing as I wrote thing … my writing got worse (I’ve long since deep-sixed every one of those stories).

    It took me a couple of years to understand why editing-while-writing is so destructive and stop it, although … all these years later … I still slip-up from time-to-time (like my recent return to that unsightly area known as “writer’s block”).

    The Creative Brain
    The reason we do it relates to the way we’re built. We all have two-sided brains: a creative brain and a critical brain. I once read an author who advised thinking of them like siblings … ones that don’t get along very well.

    The critical brain is diligent and well-organized but it’s not so great at writing. The creative brain has marvelous ideas, but it’s the less assertive of the two … prone to hiding under the bed whenever the critical brain looks as though it’s about to throw a punch.

    Immediately editing your work puts the critical brain in charge … and your creative writing will suffer.

    Perhaps you’ve done that, too? If so, I advise you to take a hard look at your own writing and break the instant-editing habit as quickly as possible.

    Keep Your Critical Brain At Bay
    One of the tricks that works for me: I write at a furious pace, slowed only by the bothersome “instant spell-check” function of my laptop.

    Then at the end of every writing session I spend a moment (and I mean it, just a MOMENT), writing out directions about what I want to accomplish in the next part of the story. A few words will do … never more than a short sentence.

    The next time I sit down to write, I start work from that thought, so I can’t be lured into editing my prior work before I finish writing the whole thing. That’s the plan anyway. As you know (because I told you), I sometimes forget to follow my own advice.

    Monitor Your “Self-Talk”
    If you’re like everyone else in the world (including me), while you’re writing you’re probably saying things like: “This is just too boring.” Admit it, we all do it.

    Whether we actually speak the words out loud, we all talk to ourselves … usually in the negative. The trick is to be conscious of it and tell yourself, “I’m writing right now. I’ll deal with these concerns when I’m editing.” And then do exactly that.

    If you’re not conscious of your own self-talk then please go looking for it over your next few writing days… and then promise yourself to learn to keep it quiet.

    Write Yourself Notes
    Like I mentioned in in the previous note, when I’m writing my first draft I frequently feel something isn’t quite right about the words I just put down.

    However, instead of letting myself constantly stop and try to fix them (most of the time, anyway), I skip a space on the page and write REVISIT in all caps … and go on.

    This sort of “promissory note” puts my critical brain at ease by acting as a promise that I won’t forget to address something I initially identified as a problem (and sometimes on revisiting the section when I edit, the problem is no longer there).

    Reward Yourself
    Reward yourself for not editing while you write. In time, the reward of writing quickly will be prize enough.

    For now, however, lavish yourself with other incentives: magazines or books you enjoy, music, tea, coffee, lunch at your favorite bistro, a glass of your favorite wine … or maybe time with the loved ones you sometimes neglect while immersed in your fiction.

    Now you might wonder “Who is this Herron character, anyway? Why should I listen to anything he has to say?”

    My response is to say it isn’t just me saying it. If you search for it, you’ll find nearly every successful novelist and writer has similar admonitions about the craft. All I’m doing is passing them on.

    Good Advice
    Stephen King, one of my all-time favorite authors, has several quotes worth remembering in his phenomenal book “On Writing: A Memoir of the Craft.” If you’re an author and haven’t read it yet, I sincerely urge you to get a copy and read it before you continue your next story (don’t worry, it’s a serious work, with no evil clowns or rabid dogs).

      “In many cases when a reader puts a story aside because it ‘got boring,’ the boredom arose because the writer grew enchanted with his powers of description and lost sight of his priority, which is to keep the ball rolling.”

      “When you write a story, you’re telling yourself the story,” he said. “When you rewrite, your main job is taking out all the things that are not the story.”

      “I believe the first draft of a book — even a long one — should take no more than three months. Any longer and — for me, at least — the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave during a period of severe sunspot activity.”

      “When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest.”

    Remember, to get your ideas out you should always write as quickly as possible. Let the ideas from your creative brain flow.

    Just be sure to edit later, as slowly and carefully as you can.

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    You can find my books on Amazon. You’re also invited to visit my web site, BROKEN GLASS, or like my Facebook page. You can also follow my shorter ramblings on Twitter.