Posts Tagged ‘storytelling’

What’s the Main Task of a Storyteller?

March 27, 2015

punta canaTHE RESERVE BEACH IN PUNTA CANA © R.L. Herron

I recently came back from Punta Cana, in the Dominican Republic (I know … tough duty, but someone’s got to do it).

My bride and I met our eldest son and his family there for a week. I enjoyed seeing them all and relished the opportunity it gave me to recharge my batteries. Now, back to business.

In my last post you heard me grouse again about my writer’s block. It’s safe to say most of that has passed. But I’m still struggling to get my latest novel written and edited by the end of May.

Why? Because I want to submit it to this year’s Readers Favorite contest for review.

Why Do I Bother?
I watched the movie “Birdman” here at home on Tuesday with my wife and youngest son.

Michael Keaton plays a former movie star/action-hero (Birdman) named Riggin Thomas, who opted out of the franchise and hasn’t had much movie success since.

The Thomas character has supposedly adapted the Raymond Carver story “What We Talk About When We Talk About Love,” for Broadway; writing and directing the play in the hopes it will revitalize his career.

One of my favorite scenes featured Edward Norton, who plays an actor named Michael Shiner, a not-so-very-likable-character. In this scene he defends Thomas to Tabitha Dickinsen (played by Lindsay Duncan), a smarmy theater critic he sees sitting in a bar.

“He’s taking a chance. He’s willing to lose everything for this. What are you willing to lose?”

I think Tabitha, a character name undoubtedly chosen for its witch-like associations, serves a twin narrative purpose.

The first is to serve as a convenient antagonist. Her character has apparently decided in advance to give the play a lousy review, so she embodies evil incarnate.

The second is to highlight the purpose real critics have served for as long as there has been a creative process: the need for validation. It’s something the Michael Keaton character desperately needs to preserve his own creative sanity.
Click to read more

What Storytelling Techniques Do You Use?

February 16, 2015

word magic

Storytelling is at the core of who we are as human beings. I’m convinced we’ve been doing it since our Neanderthal beginnings. Still, as ingrained as it may be to the human psyche, it takes a concerted effort to do it well.

There’s a difference between just relating a story, and telling an engrossing tale people will remember. It’s something every author, whether traditional or indie, needs to understand.

Sadly, many wannabes overlook some of the basic techniques.

Set the Stage
When you’re writing fiction, it’s important to set the stage. Tell your readers the place and time the story takes place. They need to know enough of the context so they can understand the story.

It was late August, 1962, when I first saw Albert Parker. After all this time I still remember the year quite distinctly. It was my second teenage summer and, like discovering I had a sexual identity, it was a part of life’s first great transition. I had been waiting months for something special to happen, something magical. Something like having Marilyn Monroe show up on my doorstep.

Show, Don’t Tell
One of the most important lessons to learn as a writer is how to show your story, instead of just telling it. Give us a visual example and make us see it and feel it.

All our senses contribute to a story and help make the experience realistic, as well as entertaining. Use that knowledge, and appeal to all of your readers’ senses.

The day started as a humid, hurt-your-lungs-on-a-deep-breath morning. A blistering sun was rising over the railroad switching yard at the far end of the street. Its red-orange glare filtered through exhausted-looking trees, while sinuous heat ribbons shimmered over motionless freight cars, their rusty shapes defined like so many slumbering beasts.

I was already sitting on the curb under a big oak tree, trying to find relief in occasional humid puffs of air. A battered gray panel truck pulled up across the street, and signaled its stop with a tortuous squeal. An angular middle-aged man slowly unwound from the driver’s seat. Garish sunlight lit the edges of his hair. It made halos of his tight, graying curls and gleamed brightly from the center of his balding crown.

Plot and Conflict
I won’t spend much time talking about plot, other than to say it’s important to construct one because it’s true, even if you want to break or bend the rules, that there should be a beginning, middle and an end to your story.

More importantly, what’s the conflict? What leads up to it? How will it be resolved? You need to make sure to keep the tension going and leave the audience wanting more with each chapter. However, readers should feel satisfied when the story ends, so don’t forget some sense of closure.

Point of View
Also consider point of view. Would the whole story, or even just a chapter, have a more emotional appeal if it was told through the eyes of a child? How would multiple points of view affect the telling of the story?

From my earliest memory all our neighbors said they were glad I wasn’t like my big brother. I never knew how to answer them when they said that. Albert was always there for me. What was wrong with that?

Use a dynamic character. This is a character that is changed by the conflict of the story. Readers love to see the reformed sinner find his way to something akin to success or redemption.
Click to read more

Do You Still Make Resolutions?

January 7, 2015

christmas-house-554728_640

I gave up making New Year resolutions a long time ago. Couldn’t see the sense in any of it. I never managed to keep most of them anyway, despite my best intentions.

The only one I ever came close to keeping was my promise to go on telling stories, as long as I could. The artistic side of me knew I could keep that one.

I’ve always doing enjoyed creative things, and the ancient art of storytelling is especially well suited to artistic exploration. No special equipment is needed beyond the ability to use words, and a whole lot of imagination.

In our fast-paced, media-driven world today, storytelling can be a nurturing way to remind people that mere words are themselves powerful, that listening is always important, and that meaningful communication between people is an art.

I continue to practice my storytelling. I’m about 25,000 words deep into the third book of my Reichold Street trilogy, but I’ve hit one of those moments when I just want to walk away for a while and give the characters a chance to tell me where it’s going.

So, I tried something else.

I wrote the following little story in about 15 minutes last night. It’s short enough to be something I’d do at a reading, which may be the best way to hear it. A couple of people have told me it’s a very emotional piece. I’d love to know what you think of it.

==========

Holiday Lights
© R.L. Herron

    I flipped the switch and watched the red and white twinkling lights go on outside. White lights wrapped around the trunk of the tree; red ones in the branches.

    I liked the twinkling lights. They reminded me of Caroline. She had always enjoyed the holidays and the lights.

    “Put some in the front,” she had cajoled me one year. “I think the white ones would be pretty draped over the railing.”

    So, even though the thermometer had barely made it to seven that day, I waded through the snowdrifts and draped white twinkling lights over the rail.

    “Perfect,” she said.

    Caroline laughed when I plugged them in, and clapped her hands together like a little girl. Her blue eyes sparkled and she danced. Suddenly I didn’t feel so cold any more. I had made her happy, and that meant a lot. That meant everything.

    I still put the lights out front every year, red over white, just like she wanted, even though it was getting harder for me to reach the higher branches on the tree.

    Maybe I’ll skip that last strand, I thought, although I knew I wouldn’t. I’d wrestle the ladder around and use one of those ‘grabby-things’ to help me reach the top branches, no matter how long it took.

    It didn’t matter how cold it was, or how much snow had fallen. Every year it was worth it. Once the lights were on, I felt good and warm again, even if I was still standing outside in the snow.

    The holidays were over now, but I still turned on the lights. Just one more night. I knew when the time came to finally turn them out for the year the happy memories of my Caroline would once again slip into the shadows, and I wanted them that one night more.

    My neighbor, Mike, walked over as I went down the driveway to get the paper.

    “Pushing the holiday a bit, aren’t you John?”

    “What’s wrong with a few lights?” I asked.

    “It’s January twentieth,” Mike said. “Christmas has been over almost a month.”

    “January twentieth?”

    “Yeah, John, everyone’s getting ready for Valentine’s Day and the stores are already pushing Easter.”

    I knew Mike would never understand why the lights were so important to me. “Well,” I said, “Just one more night won’t hurt anything, will it?”

    The look he gave me was one of resignation. “John, as far as I’m concerned you don’t ever have to take them down … but the holiday is over and it looks a little silly.”

    “I guess you’re right, Mike,” I said. “Just one more night.”

    He sighed, and I could tell he was thinking “Silly old man” as he trudged back up his own driveway shaking his head. I watched him until he disappeared into his garage and the door started down.

    I didn’t go inside right away, even though my breath left frosty plumes in the air. I stood at the end of the driveway and admired the lights, remembering how much Caroline had enjoyed them. It seemed hard to believe she’d been gone already for three years.

    I missed her terribly every day, but she seemed so much closer when those twinkling lights were in the tree and on the rail that I was like a little kid, filled with excitement, when I put them up. I hated to take them down.

    “See, Caroline,” I’d say when I’d wrestled the boxes out of the attic, “the lights are going up again.”

    When they were strung and I threw the light switch, I’d stand there looking at them from the same spot in the living room she’d always stood to admire them. I always felt good at that moment.

    Then, every night, when I turned them on again, I’d say those words to her, even though she wasn’t there.

    “See, my love, the lights are on again.”

    The wind picked up and blew the chill air around my scarf and down my neck. I shivered, and knew it was time to get back inside, but I stopped near the front door to look once more at the lights … and at the empty spot inside the front window where she used to stand.

    The lights had always made her so happy, and I was happy, too, when she was.

    It felt wrong to want to cry.

* * *

 

**********

My books have garnered some terrific reviews. You can see the stories I have available by using the Amazon link below.

buy now amazon

You’re also invited to visit my web site, BROKEN GLASS, or like my Book of Face page. You can also follow my shorter ramblings on The Twitter.

**********

 
Comments posted below will be read, greatly appreciated and perhaps even answered.