Archive for the ‘Storytelling’ Category

Came the Dreamweaver

August 3, 2012

OK, I admit it. I’m overdoing the Ray Bradbury bit, but his wonderful stories were part of what drew me into writing in the first place. My wife even thinks some of my stories sound decidely Bradbury-esque.

I think she’s goofy, but I’m secretly pleased at the comparison.

When I realized he had passed, I looked at the body of work he had created (most of which I own) and realized there was one I had not seen. So I bought it, and I just finished reading “Farewell Summer” – the 2006 sequel to his 1957 classic “Dandelion Wine.”

Perhaps it was just me, but I was disappointed.

It seemed like something left out of the original … which it undoubtedly was … and I think the original was stronger without it. Or could it be I was sorry for myself, realizing this writer of dreams was gone?

Bradbury’s writing ranged from fantasy to horror and mystery to humor. He scripted John Huston’s film version of Moby Dick and wrote for The Twilight Zone and other television programs. He was involved in many futuristic projects, including the 1964 New York World’s Fair and Spaceship Earth at Walt Disney World in Florida.

His book, The Martian Chronicles, was a series of intertwined short stories that satirized capitalism, racism and superpower tensions … a Cold War morality tale in which imagined lives on other planets serve as commentary to human behavior on Earth.

Fahrenheit 451, an apocalyptic narrative, prophesized the banning of books and it became a futuristic classic often taught alongside George Orwell’s 1984 and Aldous Huxley’s Brave New World.

He received a special Pulitzer Prize in 2007 “for his distinguished, prolific and deeply influential career as an unmatched author of science fiction and fantasy.”

Other honors included an Academy Award nomination for an animated film, and an Emmy for his teleplay of The Halloween Tree. Bradbury became the rare science fiction/fantasy writer treated seriously by the literary world.

His fame even extended to the moon, where Apollo astronauts named a crater “Dandelion Crater,” in honor of Dandelion Wine, his beloved coming-of-age novel.

Bradbury could be blunt and gruff, once exhorting listeners: “Do what you love and love what you do. If someone tells you to do something for money, tell them to go to hell.”

But he was also a gregarious and friendly man, approachable in public and generous with his time to readers and fellow writers.

His advice to writers – write!

Thanks, Ray. I think I will.

An Early Indie Writer

July 28, 2012


Helen Beatrix Potter’s Frederick Warne & Co.
Original Edition “The Tale of Peter Rabbit” © 1902

Helen Beatrix Potter (July 28, 1866 – December 22, 1943) was an English author, illustrator, natural scientist and conservationist best known for her imaginative children’s books which celebrated the British landscape and country life, featuring animals such as those in the still beloved The Tale of Peter Rabbit.

However, what you might not know, the book, and her black & white illustrations for it, were originally rejected by publishing houses. Not to be dissuaded, Potter published her children’s book privately, at her own expense. In today’s climate of electronic indie publishing it’s not something unheard of … but it was exceedingly rare in 1901.

A family friend, Hardwicke Rawnsley, had great faith in Potter’s simple children’s tale and made the rounds of the London publishing houses with her self-published work to represent her.

It was Frederick Warne & Co., who had previously rejected the tale, who reconsidered and accepted the (as they called it) “bunny book.” Potter agreed to add color to her pen-and-ink illustrations and, on October 2, 1902, The Tale of Peter Rabbit was officially published.

It was an immediate success. Beatrix Potter continued to write, illustrate and design spin-off merchandise based on her children’s books for Warne until she had published a total of twenty-three books.

Potter left almost all the original illustrations for her books to the UK National Trust. The copyright to her stories and merchandise was given to her publisher, Frederick Warne & Co, now a division of the Penguin Group.

Today, 110-years later, Potter’s books continue to sell throughout the world, in multiple languages. Not bad for someone who was originally an indie writer. Perhaps there’s some hope for me yet.

Happy Birthday, Beatrix.

Vintage Dandelion Wine

July 23, 2012

One of my favorite authors died last month. Ray Bradbury passed away on June 5, 2012, at the age of ninety-one.

His obituary was carried in most major papers. The New York Times said Bradbury was “the writer most responsible for bringing modern science fiction into the literary mainstream.”

The Los Angeles Times credited Bradbury with the ability “to write lyrically and evocatively of lands an imagination away, worlds he anchored in the here-and-now with a sense of visual clarity and small-town familiarity.”

The Washington Post mentioned several modern-day technologies that Bradbury had envisioned in his writing, such as the idea of banking ATMs and Bluetooth headsets from Fahrenheit 451, and the concepts of artificial intelligence within I Sing the Body Electric.

In reading about his life, I knew Bradbury, an avid reader, was a strong supporter of public libraries. In fact, he once told The Paris Review, “I don’t believe in colleges and universities. I believe in libraries.” Like so many others during the Depression, Bradbury had no money for such an extravagance. “I couldn’t go to college,” he said, “so I went to the library three days a week.”

Bradbury also said something else I agree with: “You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do … and they don’t.” Writers learn to write by writing.

And, although I’m not sure they play the same role they once did, I believe libraries still serve a purpose, if only for the computer access they can give to those without it; a place for young readers to learn the joys of good storytelling; and the quiet opportunity they provide for reading and study that is so often missing in our hectic and “connected” world.

Unfortunately, Bradbury also exhibited skepticism with regard to modern technology by resisting the conversion of his work into e-books. Fahrenheit 451 is the only one of his works Bradbury conceded to publish in an electronic form, when its copyright came up for renewal in 2011.

So, you won’t find Bradbury’s books as e-books for the Kindle on Amazon, or anywhere else. I strongly disagree with that. I think the current generation of readers need the opportunity to read Bradbury’s books, and without electronic access, many of them never will.

“Dandelion Wine” no longer a part of a young person’s literary life? I think that’s a shame.