Archive for the ‘Book Review’ Category

Dandelion Wine Redux

July 31, 2012

In the almost two months since Ray Bradbury died, a host of tributes have appeared, touching on almost every salient aspect of his long life and his exceptionally many-sided work.

I’ve read most of them and just came across another one online, written July 13, by John Wilson, editor-at-large for a magazine I might never have seen, if not looking for articles about Ray … Christianity Today.

I thought I would share the comments with you.

In his article, Wilson cites a June 7 Chicago Tribune feature celebrating Bradbury written by Julia Keller, which covered familiar territory, citing his many books and awards, his screenplays, etc.

Yet most of the top half of page three (I’m going to look for the issue, to see for myself) was given to a gossipy feature by Mark Jacob, headlined: “BRADBURY RODE WITH SLOW COMPANY.”

A large photo showed Bradbury on his bike, and the caption read: “Ray Bradbury didn’t drive a car, but he was often out and about in Los Angeles, browsing bookstores, his bicycle propped outside.”

A sidebar noted that while Ray Bradbury “had some amazing accomplishments … one nonaccomplishment is also noteworthy: He never got a driver’s license.”

Theories Anyone?
There were several theories proposed to explain this quirk in his personality. One even said Bradbury’s “abiding fear of automobiles” was probably attributable to the multiple-fatality accident he had witnessed shortly after moving to Los Angeles in 1934, at age 13.

The theory said, for Bradbury, “it remained a recurring nightmare.”

But I don’t buy it. Throughout his long and prolific career, Ray Bradbury, a master of the short story, also wrote novels and poetry, radio dramas and screenplays. He even served as a consultant to NASA. He was often seen in limos. If you were to ask me why Ray Bradbury, the long-time futurist and visionary didn’t drive, my answer would be simple.

Because he was Ray Bradbury.


AP Photo/Steve Castillo

An Early Indie Writer

July 28, 2012


Helen Beatrix Potter’s Frederick Warne & Co.
Original Edition “The Tale of Peter Rabbit” © 1902

Helen Beatrix Potter (July 28, 1866 – December 22, 1943) was an English author, illustrator, natural scientist and conservationist best known for her imaginative children’s books which celebrated the British landscape and country life, featuring animals such as those in the still beloved The Tale of Peter Rabbit.

However, what you might not know, the book, and her black & white illustrations for it, were originally rejected by publishing houses. Not to be dissuaded, Potter published her children’s book privately, at her own expense. In today’s climate of electronic indie publishing it’s not something unheard of … but it was exceedingly rare in 1901.

A family friend, Hardwicke Rawnsley, had great faith in Potter’s simple children’s tale and made the rounds of the London publishing houses with her self-published work to represent her.

It was Frederick Warne & Co., who had previously rejected the tale, who reconsidered and accepted the (as they called it) “bunny book.” Potter agreed to add color to her pen-and-ink illustrations and, on October 2, 1902, The Tale of Peter Rabbit was officially published.

It was an immediate success. Beatrix Potter continued to write, illustrate and design spin-off merchandise based on her children’s books for Warne until she had published a total of twenty-three books.

Potter left almost all the original illustrations for her books to the UK National Trust. The copyright to her stories and merchandise was given to her publisher, Frederick Warne & Co, now a division of the Penguin Group.

Today, 110-years later, Potter’s books continue to sell throughout the world, in multiple languages. Not bad for someone who was originally an indie writer. Perhaps there’s some hope for me yet.

Happy Birthday, Beatrix.

Vintage Dandelion Wine

July 23, 2012

One of my favorite authors died last month. Ray Bradbury passed away on June 5, 2012, at the age of ninety-one.

His obituary was carried in most major papers. The New York Times said Bradbury was “the writer most responsible for bringing modern science fiction into the literary mainstream.”

The Los Angeles Times credited Bradbury with the ability “to write lyrically and evocatively of lands an imagination away, worlds he anchored in the here-and-now with a sense of visual clarity and small-town familiarity.”

The Washington Post mentioned several modern-day technologies that Bradbury had envisioned in his writing, such as the idea of banking ATMs and Bluetooth headsets from Fahrenheit 451, and the concepts of artificial intelligence within I Sing the Body Electric.

In reading about his life, I knew Bradbury, an avid reader, was a strong supporter of public libraries. In fact, he once told The Paris Review, “I don’t believe in colleges and universities. I believe in libraries.” Like so many others during the Depression, Bradbury had no money for such an extravagance. “I couldn’t go to college,” he said, “so I went to the library three days a week.”

Bradbury also said something else I agree with: “You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do … and they don’t.” Writers learn to write by writing.

And, although I’m not sure they play the same role they once did, I believe libraries still serve a purpose, if only for the computer access they can give to those without it; a place for young readers to learn the joys of good storytelling; and the quiet opportunity they provide for reading and study that is so often missing in our hectic and “connected” world.

Unfortunately, Bradbury also exhibited skepticism with regard to modern technology by resisting the conversion of his work into e-books. Fahrenheit 451 is the only one of his works Bradbury conceded to publish in an electronic form, when its copyright came up for renewal in 2011.

So, you won’t find Bradbury’s books as e-books for the Kindle on Amazon, or anywhere else. I strongly disagree with that. I think the current generation of readers need the opportunity to read Bradbury’s books, and without electronic access, many of them never will.

“Dandelion Wine” no longer a part of a young person’s literary life? I think that’s a shame.